A Quote by Tate McRae
When I was 13, I started posting songs every week that I'd written. They weren't fantastic, but people connected to them in some way. And that's the only way that I grow my audience as a writer.
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There are people who are really great musicians. I've met a lot of them. And I'm not a great musician. I'm adequate enough to be able to throw some chords together and write songs, but I can only feel that because I'm expressing something honestly, or in a heartfelt way, or in some way that's not bullshit, that in some way the songs have merit.
At 13, I loved how so many of my peers sang and played acoustic guitar, so I started recording videos with covers of famous songs and posting them online.
I started playing guitar when I was 13. I'd written a few songs on the guitar over some time. I'd written a book of poetry, and I got a book of lyrics that I had when I was a kid.
As a writer, every time I create a character, I try to go for something to captivate the audience in some way. It's also an extension of how the audience would like to see themselves.
I've always covered some Dylan songs. I do one or two. And I do them because they're great songs. You know some people cover songs they wish they could have written, not me. I like to cover songs I know I could not have ever written.
I've written some songs that are pretty scary, but 'Jessica,' 'Ramblin' Man,' and 'Blue Sky' are happy songs. That's the way I wrote them: have-fun tunes to make you feel good.
I studied acting and there's certainly an element of performance. I think that the songs are in many ways written to be performed. I think about what it's going to be like to sing them on stage rather than what it's going to be like to have someone at home listening to them on a CD. I guess in that way there's a connection between my acting experience and the songwriting and the way the songs are written.
The ‘I’ character in journalism is almost pure invention. Unlike the ‘I’ of autobiography, who is meant to be seen as a representation of the writer, the ‘I’ of journalism is connected to the writer only in a tenuous way—the way, say, that Superman is connected to Clark Kent. The journalistic ‘I’ is an overreliable narrator, a functionary to whom crucial tasks of narration and argument and tone have been entrusted, an ad hoc creation, like the chorus of Greek tragedy. He is an emblematic figure, an embodiment of the idea of the dispassionate observer of life.
I've probably written some books - I know I've written some books that were more interesting to me than to a large audience, but that was mostly when I was first getting started in academia and writing for a narrow audience.
I suppose in some ways doing some of the songs in the show felt a bit like I was doing cover versions. I was covering myself. Not that they didn't feel like my songs, but the way I was approaching them was from a place so outside where they were written. The fact that these songs were in the context of a live show was a new thing.
When the nuclear weapons were sent to the racist South African government, where a few million white people subjugated more than 13 million black people, it was so they could use them against the Cuban forces that were defending Angola. These things have not been written down but they need to be told as part of the reality of history which should not be distorted the way the historians connected to the power elite tend to do.
I started out in the folk music world only because of the way my songs were written and performed, with just an acoustic guitar, but I always related to the rock n' roll lifestyle.
I'm trying to change theater, in my own way - not just magic. I say that humbly, because I'm learning every single day. I do 15 shows a week, and every single audience I have is like a test screening for you, when you listen and go, "Really? They laughed at that?" All over the stage I have lines, written onstage, that I'm changing every single day.
Instagram is not an option for me. I have an Instagram - like relationship with a few people, some of whom I've only met once. We e-mail each other a picture every week. But I cannot deal with posting it. It's a very personal message for me.
I make my songs slightly abstract so that people can interpret them their own way. I think that's a lot more special, so you can hear a song and think, 'I feel exactly that way,' even if it wasn't written for that feeling.
I find that the most special thing to me is if you've connected to people in some way: If someone comes up to you on the street and says something to you, and you know it's meant something to them, and it's connected to some project. That, I find, is amazing.
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