A Quote by Tatiana de Rosnay

You get attached to places, you know. Like people, I suppose. — © Tatiana de Rosnay
You get attached to places, you know. Like people, I suppose.
I get very attached to places.
I think I'm a people person. I get very attached to people. And I've become so attached to all the people on my show, the cast, the crew and the producers.
I suppose some studio executive would say it's death for a comedy if people aren't all laughing in the same places, but I find with my movies that people laugh in very different places. I can't control it.
You get tarred with the brush of 'Lady in Red.' I play Russia or China or places all over the world. They don't even speak English but they know the words. You get a big song like that, and people love it or hate it. And if they don't like it, they don't like anything at all by the artist.
I suppose everybody does get attached to characters whether in movies or in stories, but I think that's part of the reason you get involved with literature is because there's somebody that grabs you about it and then you want to figure out why.
Leaving your country at a tender age really rearranges the way you perceive the world. So I feel marginally attached to many places rather than deeply attached to any one place.
I'm not really sure why so much people still listen us. I think we live in an era when people get attached to stuff, and it means something. Then I think a lot of people heard about it over the years - like somebody's older brother might tell them, you know, because we're from his era, and he might be like, "You need to listen to this; this is what it's all about," you know what I mean? I don't know, man, it's hard to say. But it makes us feel special.
There's going to be some places where you're treated with respect and dignity and some places where you'd have to be a fool to live, .. So, there will be places where people can get their hair done well and places where they can't.
I don't especially like to travel, not the way many people do. I know many people that love to go to far-off and different places, and I've never been like that. I seem to get homesick as quickly as a child.
When you're not attached to anything, nothing can harm you. When people become attached, they can be harmed. I know this, so I don't attach myself to anything, really.
Remember me? I'm back to my old self again. No responsibilities, no attachments, no encumbrances. I don't want to own anything, love anyone, or get too attached to people, places or things. It's a rule that seems to work well for me.
Our misery comes, not from work, but by our getting attached to something. Take for instance, money: money is a great thing to have, earn it, says Krishna; struggle hard to get money, but don't get attached to it. So with children, with wife, husband, relatives, fame, everything; you have no need to shun them, only don't get attached. There is only one attachment and that belongs to the Lord, and to none other.
Transcendence or detachment, leaving the body, pure love, lack of jealousy-that's the vision we are given in our culture, generally, when we think of the highest thing. . . . Another way to look at it is that the aim of the person is not to be detached, but to be more attached-to be attached to working; to be attached to making chairs or something that helps everyone; to be attached to beauty; to be attached to music.
I'm not Vegas. Places I play usually cost like $3 to get in, you know, and people are going: Gee, I've got $3, I think I'll throw it away.
A lot of composers I know hate temp scores because people get attached to them.
Well, I'm not at all like the tough, sexy femme fatale in Confidence but it's fun to play people who're really different from you, from different cultures and places. I suppose I'm a bit quieter than most of the people I play.
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