A Quote by Tatiana Maslany

You learn from the actors that you're working with. I've taken a lot from all of them. — © Tatiana Maslany
You learn from the actors that you're working with. I've taken a lot from all of them.
Working with Sukumar was amazing. He's someone who trusts his actors and allows them to experiment with dialogues and scenes. When you're working with him, you learn a lot subconsciously, and that helped me in discovering the actor within.
It's a wonderful thing working with young actors. I know a lot of people don't like working with children. I actually adore it, because you watch their imagination open up and you watch them start to learn this job that I've been doing for so long. They come with such a lack of cynicism.
When you are working with actors who are secure, who have nothing really to prove, it gets a lot easier working with them.
A lot of actors won't do things because they say it is boring when you are always working. A lot of them won't go on tour, a lot won't do pantomime. I think you should do everything.
When you're creating new roles out of scratch in my opinion working with the actors is a great asset. You can learn a lot from that.
I enjoy working with Doon's talented, young actors and also get to learn from them.
Most actors nowadays are models turned actors. That's why a lot of young actors are terrible. You have to learn how to act. It is not something that you can just do.
I learned a lot from Clint [Eastwood], who's an extremely economic director. I learned a lot from Michael Winterbottom, who really gave a lot of trust in the actors and allowed them to live in the space instead of trying to manipulate and make it too set and too staged. Working with [Robert] De Niro taught me a lot of being an actors' director and what that is. I've learned a lot from pretty much everybody. Hopefully I've picked up something from everybody I've worked with.
I learned my business in the theater and in television, particularly working with the actors. You can learn much more in the theater than directing a movie, because then you have no time when you are shooting a movie to really work with the actors. You have to learn this craft somewhere else.
After working for years in Hollywood where the actors have taken over, it was a real relief to get down there and not only have some children, but also have some actors that had no attitude.
In this type of cinema, whether working with actors or non-actors, as much as you do direct them, if you allow yourself to be directed by them, then the end result will be much more pleasing. The real and individual strengths of the actors is allowed to be expressed and is something that does affect the audience very deeply.
I love working with actors. I grew up with a lot of actors. All my friends are actors. I love that process.
I had the kid [on "Fences" ] who understudied me so I could stand back and think about shots so he had to learn the blocking and everything. I'd come in early sometimes, and they 'd be in there rehearsing and working on their stuff. I didn't want them to feel like, "Oh these are people who can't be touched." We're all working actors; we're all trying to get better.
I didn't go to film school. My Grampa always says just watch a lot of movies. He didn't go to film school; he went to theatre school. It's interesting to learn about the technical side of it, but I think it's more important to learn about writing and working with actors.
Let's just say I get along well with the youngsters. Working with them energises me, and I find that I have a lot to learn from them.
I've got a lot of friends who are actors so even when I don't have auditions of my own, I'll be working on someone else's scenes with them.
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