A Quote by Tatiana Maslany

When I was a kid, it was the attention I got from it, the immediate response from the audience, the thrill of being onstage. That's carried over into my adult life, I can't pretend I don't like the attention or whatever, but for me now, I've witnessed incredible performances that have changed the way I see the art form.
Art begs you to notice it. Why? Because art is God's way of saying hello. So pay attention to poetry. Pay attention to music. Pay attention to paintings and sculptures and photo exhibits and ballets and plays. Don't let all this go unnoticed. Your world is shouting out to you, revealing something intrinsically glorious about itself. Listen carefully. Love art, the way art loves life.
I think a part of it was the way my parents raised me. I think that's part of being raised in a big Latin family. To get an adult's attention you have to do something crazy, and my way was dancing on tables and singing and dancing. That was my way of getting everyone's attention. I'm loud and I like being loud.
I'm inspired by art - in whatever form it takes. I love when I see a painting or a photograph that captures my attention.
All I wanted was attention from girls when I was a kid. Then I got my braces off, and then there was too much attention, and I was also mad that they didn't pay attention to me in the first place. Then I was just like, I couldn't put on blinders and focus on one because there were too many options.
Now, all writing - all the arts - are a form of 'Pay attention to me,' but there's also the flip side. Like, I want to give something. Let me entertain you, let me amuse you, let me try to please you with this thing I've made. And then pay attention to me.
As far I'm concerned, being an adult is way more fun than being a kid. But then I was a kid who wanted to be an adult. I'd watch shows like 'Bewitched' and see Darren come home and mix a martini and I'd go, 'That looks awesome! I want to do that!'
Being on stage was all about the palpable energy of a rapt audience hopefully buying into a life onstage. The immediate connection with the audience was the best part for me. The camera is not as fun, but your work is preserved forever. There's immortality to it.
Yeah, anytime anybody has a kid, you know how you feel when you have a kid, you look at the world differently because your kid's in the world now. When it's just you, whatever happens happens but now you pay more attention to political things. You pay more attention to things because your daughter or your son has to deal with these circumstances.
Perhaps the most demanding trick in all of art is to know ways that are going to capture the attention of an audience right now, and yet to also hold an audience hundreds or thousands of years into the future in circumstances you just cannot imagine. You've got to go very deep into human nature to do that.
After a while, you just want transportation, and things like cool cars or motorcycles are all about getting attention. I get all the attention I could ever need, so I kind of like being in a minivan and people not paying so much attention to me.
I have spent my life paying attention to my art form, developing my art form, worrying about my show and what I'm bringing to people, making sure that I give them a fine trade.
Drag is great way to get people to pay attention to me, but it's a difficult way to get people to take me seriously as a musician. So it's a weird Catch-22. It's like a gimmick that gets them to pay attention, but when they see my image, they're like, 'There's no way this is going to have any legitimacy to it.'
Are you such a dreamer To put the world to rights? I'll stay home forever Where two and two always makes a five I'll lay down the tracks Sandbag and hide January has April's showers And two and two always makes a five It's the devil's way now There is no way out You can SCREAM and you can shout It is too late now Because... You have not been Payin' attention! Payin' attention! Payin' attention! Payin' attention! You have not been paying attention!
I think whatever art form you're in, whether TV, film or theater, you should know the history of who came before you and how the art form has changed or not changed and to learn from the greats.
I'm trying to use whatever attention is focused on me and divert it to something that really deserves the attention and try and sort of stay out of the way of the rest of the stuff.
Forty is the line of demarcation that says you're an adult now. You're an adult, so don't pretend you're a kid anymore.
This site uses cookies to ensure you get the best experience. More info...
Got it!