A Quote by Tatiana Maslany
I was honestly a cartoon kid. I loved cartoons. That was more my dream than anything else. But now, it's the films of people like John Cassavetes and Gena Rowlands. Those are the kinds of characters I want to play, and that's the kind of filmmaking I'm fascinated by.
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You look at people like Gena Rowlands, but she had [John] Cassavetes to write these amazing roles for her.
I was a big fan of John Cassavetes, his wife, Gena Rowlands, and that era of filmmaking which was about realism and which represented the antithesis of the dreamy escapism you found in musicals.
When I was young, I was really, really obsessed with Gena Rowlands and John Cassavetes. Because my mom was a projectionist in college, she was somehow able to get a real projector. And she had some connections, so she would get real prints, and we'd put up a sheet. The first movies I saw were To Kill a Mockingbird [1962], Gigi [1958], A Woman Under the Influence [1974]. Then when I was old enough to be able to rent movies, I went through a very big Cassavetes phase.
When you look back at the older cartoons, they're very much more observational cartoons. And the cartoon, the people in the cartoons are not making the joke.
For me, my favourite actresses are like Charlotte Rampling or Gena Rowlands... people who have always stepped outside of the restraints of a certain type of woman or story. I always like those movies the best.
I loved all movies, literally. I certainly loved 'Shane' and 'Roxie Hart.' Later on, when I was less of a kid, I loved 'L'Avventura' and 'Persona' and all Fellini movies and like everybody else I loved John Ford. Then and now, I loved Preston Sturges, maybe above anyone.
I quite liked Sharkey and George and then there was a cartoon with rapper MC Hammer in it - Hammertime - I loved that cartoon, it was genius! They don't make cartoons like that anymore.
My favourite performances are by actresses like Bette Davis in 'All About Eve' or Gena Rowlands in pretty much anything - performances that have nothing to do with age.
I want to start off making the kinds of films that I loved growing up as a kid. Fun horror films that are scary but at the same time, after you finish the movie, it leaves you excited to see more.
As a kid I was fascinated with sports, and I loved sports more than anything else. The first books I read were about sports, like books about Baseball Joe, as one baseball hero was called.
I like that cartoons are now not only animated drawings, they are a way of doing something: 'That song sounds very cartoony', or 'He has a cartoon face'. Like the word 'poetic', which usually means something different than a poem. But most of all cartoons are comforting, that's the real reason I need them.
I have to say I enjoy physical comedy and I've always loved to kind of take risks. I don't like worrying too much about how I look or how I come across, so that can sometimes... You know, I like to play those kinds of deluded but fun characters.
A big part of filmmaking, and a big part of the power of filmmaking, is creating characters that people fall in love with. So, those things, like the bloopers, create more reality and dimension, and the sense that these are not drawings or shadows, but they are living, breathing, thinking characters. That's the illusion.
I would like to play an average guy. I would have loved to play opposite John Candy in a movie. That was my dream for a long time, and sadly, now I can never realize that. But I'd like to do comedy.
How I'm portrayed in films has more to do with the filmmaking and what they need in the story than anything else. I'm the same person I've always been, I just get used in different ways according to the filmmakers' needs - which is fine with me; it makes for great films.
Gena Rowlands is fabulous.
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