A Quote by Tavares Strachan
When you're in [ Bahamas], it feels like a bunch of islands, with keys and things like that. It's an existential archipelago. It's funny, you try to escape who you are and where you're from, but it's always part of your social DNA.
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Cooking is like fashion. Always, I like to try to change. If I'm traveling in a different country - to Australia, the Bahamas, Budapest, Moscow - and I see a new ingredient, I like to try it in a new dish.
I have a bunch of islands in the Bahamas that we made into this amazing, magical place. And we have these birds; they're trained to do certain things on the island, which is awesome. These toucans had a baby toucan, and the baby toucan, every hour that you'd look at this toucan, he would change.
The way that I Am is designed, it becomes a kind of archipelago, which the Bahamas are.
In the vast archipelago of the east, where Borneo and Java and Sumatra lie, and the Molucca Islands, and the Philippines, the sea is often fanned only by the land and sea breezes, and is like a smooth bed, on which these islands seem to sleep in bliss,--islands in which the spice and perfume gardens of the world are embowered, and where the bird of paradise has its home, and the golden pheasant, and a hundred others of brilliant plumage, whose flight is among thickets so luxuriant, and scenery so picturesque, that European strangers find there the fairy land of their youthful dreams.
Dreams were the worst. Of course I dreamed of food and love, but they were pleasant rather than otherwise. But then I'd dream of things like slitting a baby's throat, mistaking it for a baby goat. I'd have nightmares of other islands stretching away from mine, infinities of islands, islands spawning islands, like frogs' eggs turning into polliwogs of islands, knowing that I had to live on each and every one, eventually, for ages, registering their flora, their fauna, their geography.
With most electronic music I hear now, the things I like will be the things that have soul. It has to have a feeling in it, where it feels warm, or feels epic. I like to play with that in my music as well, there will always be a piano chord or something underneath it to make you feel at home. I always try and make sure even with vocals and layering that you still feel like you know me, no matter whether you're into grime or hip hop.
Try as I do to comprehend the human project and my part in it, I am further than ever from understanding the monstrous everyday things that seem like self-evident truths and existential necessities to so many.
Your mind has a way of not letting you forget things you wish you could. Especially with people. Like, you'll always try your best to forget things that people say to you or about you, but you always remember. And you'll try to forget things you've seen that no one should see, but you just can't do it. And when you try to forget someone's face, you can't get it out of your head.
Every now and then, you find a book that feels like it was keyed to your DNA.
I didn't grow up with my dad, so it was always very funny to me, and always has been, what an important part DNA plays in one's life.
I'm usually writing in English, and then I'll get the hankering to change channels. And usually I'll do that when I want to try a whole new set of keys, like musical keys.
I just find it funny what people will comment on, I try to not pay that much attention to it, but the crazy part is that if I'm doing a squat and I have an action photo, they're like, "Oh your form is off!" And I'm like, are you kidding? I'm still at the gym and you're not!
I played a lot of keyboards, but I really wanted to produce the sound that was in my head that I was trying to emulate on the keys. I wanted to do it for real. And it makes me look at the keys in a different way. So it's like I'm looking at the guitar and bass more like meat and potatoes and keys like coloring over top of it, you know.
New York feels like sometimes it's not part of the United States. So does L.A. Chicago feels like it's a big city that's part of America.
One of the keys is, and it may sound funny, talking about characters with super powers, but one of the keys is to make your characters as realistic and believable as possible. Even if they have super powers, you say to yourself, "Well, if somebody had a super power like this, what would his life be like? Wouldn't he still maybe have to go to the dentist or wouldn't he have to worry about making a living? What about his love life?" You've got to make characters that your reader can believe exists or might exist.
He only wishes there were something that would heal the scars in his mind, which he can still feel. He sees his mind now as an archipelago of islands that he labors to build bridges between - and while he's had great success engineering the most spectacular of bridges, he suspects there are some islands that he'll never reach.
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