A Quote by Tavi Gevinson

If you are intimidated by the artists who came before you, understand you too have a place, right next to them. — © Tavi Gevinson
If you are intimidated by the artists who came before you, understand you too have a place, right next to them.
I think I've been able to witness Canadian hip-hop get a lot more respect from our own people. I think some of the artists that came before me were doing their thing but lacked a strong next generation of artists to help them capitalize.
I remember I went to an exhibition somewhere and one of the artists, an Iranian lady, said, "I wish we had somewhere that our paintings would stay forever." So this idea came to me. I said, "She's right, we should have a place to keep them, and not only Iranian art works, but also of foreign artists."
Unfortunately, the young generation, who I believe have their own place in the sun like I had mine; but I wish it was possible there were other ways to have them understand this music was here before they came, and the reason that it was here.
Before the people at large, and for that matter, the artists themselves, understand what photography really means, as I understand that term, it is essential for them to be taught the real meaning of art.
I understand them. I understand where they came from, what their lifestyle was there. But my parents didn't push us to be like them. They said do whatever you think right, but remember the important things in life.
It's weird, the evolution of a person. You understand yourself, you understand your surroundings. Then, when you understand who came before you, once you understand that about yourself and the energy that you came to this planet with, you understand more about yourself.
One of the main things that differentiates them [artists of 70s] from artists before is that they made albums based on the fact that they didn't care about the band as a thing in its own right. They cared about manipulating the recording and that became the album.
He was in his chair in the corner, resting a second before he came out for the next round -- in a long line of next rounds. The thing he was fighting, you couldn't whip it for good. All you could do was keep on whipping it, till you couldn't come out anymore and somebody else had to take your place.
So crucify the ego, before its far too late To leave behind this place so negative and blind and cynical, And you will come to find that we are all one mind Capable of all thats imagined and all conceivable. Just let the light touch you And let the words spill through And let them pass right through Bringing out our hope and reason ... before we pine away.
When you talk with famous scholars, the best thing is to pretend that occasionally you do not quite understand them. If you understand too little, you will be despised; if you understand too much, you will be disliked; if you just fail occasionally to understand them, you will suit each other very well.
We had no irony when it came to girls, though. There was just no time to develop it. One moment they weren't there, not in any form that interested us, anyway, and the next you couldn't miss them; they were everywhere, all over the place. One moment you wanted to clonk them on the head for being your sister, or someone else's sister, and the next you wanted to....actually, we didn't know what we wanted next, but it was something. Almost overnight, all these sisters (there was no other kind of girl, not yet)had become interesting, disturbing, even.
With success it's like 60% talent, maybe 20% luck and then 20% being at the right place at the right time. There are so many artists that have been passed by - even though, on paper, they're the most incredibly talented artists, they don't have the social skills to take it outside of the bedroom.
Once I became a photographer, it stopped me being scared or intimidated by gangs of young men of whatever stripe. Initially, I could hide behind my camera but eventually I came to realize that if I was polite and friendly to them, then they probably would be to me too - a good life lesson.
I'm not intimidated by other actors at all - or directors. I don't care who they are. But I am intimidated by writers. I hold them in the highest esteem.
There aren't many hitters who like facing knuckleball pitchers. They may not be intimidated by them, but they sure are thinking about them before they go into the box.
Revolt is designed to be a home for the next generation of musical artists, and we are investing in the artists and fans of the future. Revolt is for artists, by artists. This won't just be the P. Diddy network.
This site uses cookies to ensure you get the best experience. More info...
Got it!