A Quote by Tavi Gevinson
I try to make everything creative because it's stimulating. There is this great Stanley Kubrick quote somewhere about how life is sort of bad and how creating is important because it lets a little light in.
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I remember hearing a good story about Jack Nicholson working with Stanley Kubrick on The Shining [1980]. Nicholson was saying that, as an actor, you always want to try to make things real. And believable. When he was working with Kubrick, he finished a take and said, "I feel like that was real." And Kubrick said, "Yes, it's real, but it's not interesting".
I have a great support system and I know how to prioritize everything. I strive to keep God in every aspect of my life so that's important, because some days, it requires you to have a great deal of strength. Then, my family is second and it's in that specific order. I look around and I see how everything falls into place once you know which comes first.
In the course of my movies, the financing and the releasing were always the tough part. Because I loved the creative, I loved the writing, I loved the making of it. Because I guess, I never had the giant blockbuster, I never got that sort of ease for the next one. So the next one was always, "how am I going to do this?" And that thing was sort of always the thing that made me a little chickenshit to go into the next one. The writing of it was great and the making of it was great, but how am I going to release this thing and am I going to find a studio?
I try to build on our management philosophy. I try to understand what the threats and opportunities are for us. Uh, I try to make sure that we're driving innovation and creative destruction hard enough so we're not blindsided, and that our attitude is to, in starting any initiative, any business, is to focus on how we can create value for others, rather than how we maximize profit, because you can make money focusing on, "How do I maximize profit?"
It's often the case with directors that they don't like to share credit, which is the case of Stanley. He would prefer just A Film By Stanley Kubrick including music and everything.
The creative process has been a little bit of an experience, really - to try and make that work for me. The only way I know how to do that is just to remain genuine, humble, and true to everything I know already in my life.
At age 12 I had an obsession with Kubrick's A Clockwork Orange and then proceeded to watch all the other Kubrick films I could including a doc called Stanley Kubrick: A Life in Pictures in which it was revealed to me that he started as a photographer...I got a camera sometime shortly after, but spent many years just photographing flowers in my neighborhood.
Standing beneath the white light of an Apple store is like standing on a Stanley Kubrick movie set. His '2001: A Space Odyssey' predicted Jobs and a future where technology was our friend. Kubrick, of course, didn't like what he saw. And occasionally, I have my doubts.
I love the live shows when they're on and all singing great but I hate it when the judges say bad things about their singing. I feel sick because I feel it is mean because I've done the reality TV thing so I have such strong memories of what it feels like and I just imagine how bad and how nervous they must feel.
[Stanley] Kubrick was a great artist and a perfectionist. He always wanted the exact right thing. He did a million takes. Everything had to be perfect. I'm an imperfectionist. I don't really care that much about the work. I write quickly. I'm careless. I shoot carelessly.
Remember, how often the great art of the past didn't look great at first, how often it didn't look like art at all; how much easier it is, decades or centuries later, to adore it, not only because it is, in fact, great but because it's still here; because the inevitable little errors and infelicities tend to recede in an object that's survived the War of 1812, the eruption of Krakatoa, the rise and fall of Nazism.
Life can be less mysterious than we make it out to be when we try to think about how it would be on other planets. And if we remove the mystery of life, then I think it is a little bit easier for us to think about how we live, and how perhaps we're not as special as we always think we are.
Stanley Kubrick was brilliant at getting under the audience's skin. He was very interested in the idea of, 'How can I tell this with just a camera?'
The value of life is not in its duration, but in its donation. You are not important because of how long you live, you are important because of how effective you live. And most people are concerned about growing old rather than being effective.
Stanley Kubrick knew we had good graphics around MIT and came to my lab to find out how to do it. We had some really good stuff. I was very impressed with Kubrick; he knew all the graphics work I had ever heard of, and probably more.
I try not to read reviews because I know how sensitive I am and how debilitating it is and how it follows me around. If they're bad, you feel terrible, you feel worthless, no matter if you think they're wrong - and if they're good, it feels cheap and sleazy because you went looking for it.
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