A Quote by Tavi Gevinson

To me, being a woman in 2016 is allowing myself to contain multitudes. Looking at who's given the space to do so and why. — © Tavi Gevinson
To me, being a woman in 2016 is allowing myself to contain multitudes. Looking at who's given the space to do so and why.
I'd say my relation to being a woman is, I mean being a woman is whatever you want because the concept of gender is not really real, you know? And so for me it's about being comfortable in myself. It's about allowing myself to express who I am in any way that I want to, whether that be through my clothing, the way I present myself to the world, whether that be through like my gender identity and my pronouns. It's just really about allowing yourself to really be expressive and creative.
Do I contradict myself? Very well, then I contradict myself, I am large, I contain multitudes.
An actor gives voice to the many multitudes that we all contain. That's why we love the movies, why we love TV shows: we watch different people portray an aspect of ourselves, maybe even one we don't like.
To me, being a woman in 2016 means having a voice, being unique, being true to yourself, and finding a way to be of service.
I am large, I contain multitudes
Molecules are moving. Universes are colliding. Generations are being born and dying simultaneously, throughout eternity. As one of our great American poets, Walt Whitman, once said: "I contain multitudes."
You make me tremendously happy to hold me undivided - to let me be the artist, as it were, and yet not forgo the man, the animal, the hungry, insatiable lover. No woman has ever granted me all the privileges I need - and you, why you sing out so blithely, so boldly, with a laugh even - yes, you invite me to go ahead, be myself, benture anything. I adore you for that. That is where you are truly regal, a woman extraordinary. What a woman you are! I laugh to myself now when I think of you. I have no fear of your femaleness.
I've always looked at 2016, but 2020 is realistic for me. I'll be 23 in 2016, but if I keep on progressing, hopefully 2016 will be a medal chance as well for me.
I shall always be grateful for this curious love of history, allowing me to spend a lifetime looking back into the past, allowing me to learn from these large figures about the struggle for meaning for life.
It would be better for me ... that multitudes of men should disagree with me rather than that I, being one, should be out of harmony with myself.
When I look at him [Edward Heath] and he looks at me, I don't feel that it is a man looking at a woman. More like a woman being looked at by another woman.
I see why now Tohno-kun is different from the others. Like the rocket shooting off into space, on the loneliest journey? to the far end of the solar system. Because he's always looking at something beyond me. He can never see me. I cried myself to sleep, thinking of him.
Why is there space rather than no space? Why is space three-dimensional? Why is space big? We have a lot of room to move around in. How come it's not tiny? We have no consensus about these things. We're still exploring them.
The idea of being given things that you don't necessarily deserve was always a difficult one for me to negotiate, and so I really always felt that I had to prove myself. Being the daughter of a famous man I guess is more easy than being the daughter of a famous woman, but at the same time there was a sense of really, with me, of wanting to earn my own way.
Going to space was a moment that people think was my Mount Everest, but it's not. I have so many Mount Everests. This just happens to be one of them. It has changed the way I approach things. I realize it's not about me; it's about what I did and about the person we had as a Canadian woman in space. I look at pictures of myself and say, 'That's the woman who did it'.
Just looking back at what my family did for me, and where I came from, from nothing in Ghana... and my mom allowing me to come play soccer, keeping myself motivated is a little bit easier than usual.
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