A Quote by Tavi Gevinson
The idea of being a 'child star' always sounded awful to people my age, and so I was just very aware that these things are kind of fleeting and that a lot of it didn't have to do with me: it had to do with my age; it had to do with whatever came to mind when people thought of a young internet sensation.
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People don't understand being a child star is very hard because first off, to be a child star, you have to be very unique. These kids are talented to be able to do it at such a young age. At the same time, you go through the pressures of bullying and a lot of people not understanding.
I've always been interested in exploring the concept of child prodigies. When I was younger, I wrote a story about Mozart as a child and I just always loved this idea of young people who are able to take control of their lives and bring a whole lot of change at such a young age.
I've always been interested in exploring the concept of child prodigies. When I was younger, I wrote a story about Mozart as a child, and I just always loved this idea of young people who are able to take control of their lives and bring a whole lot of change at such a young age.
I always messed around with makeup. From a very early age, my mom would let me play with hers, and my grandma, and my aunts and stuff were always like, 'Let me put lipstick on her!' that they'd have in their purse. But I think just from a very young age I've had fun with makeup.
In high school, I was so painfully self-aware that how I thought of myself was probably very different from what other people thought of me. I thought of myself as just painfully awkward and dorky. I had a lot of hair and was kind of weird. I sang a lot in the hallways.
I'm 24, and a lot of people my age grew up listening to bands that were big and making it from around here. I was going to Flaming Lips and Chainsaw Kittens concerts when I was 12, and getting my mind blown at a young age... and maybe for people in bands, there's irreparable damage from those kind of things, and it turns out weirder bands.
I had the good fortune to be able to right an injustice that I thought was being heaped on young people by lowering the voting age, where you had young people that were old enough to die in Vietnam but not old enough to vote for their members of Congress that sent them there.
At a very young age, I fell in love with the idea of being in a restaurant and being surrounded with people around me. I don't think at the time I thought about becoming a chef. I have a bachelor's degree in economics. I never went to a cooking school.
In the pre-Internet age you had to find gay things - or things that were slightly radioactive with erotic interest. You had to go to the library, you had to find the books; you had to find the coded things. When everything's available and everything's okay, what does it become? It becomes shopping. We're shopping all the time, basically, whether for objects, or people. On Manhunt or Grindr, or whatever. It's click to buy.
I was always obsessed with being famous. I had Marilyn Monroe paper dolls as a child, and I was always obsessed with her. I've just been really driven in that direction, and none of my friends were. So, I don't know what put that bug in me at a young age.
I've always been very impatient. At age 10 I frankly found life boring, and I can remember age 9 having the awful thought, as it seems now looking back on it, A war! That should liven things up a bit!
At a young age, I became very aware that not only did my family have to struggle but that families around the country were struggling as well. Also, being Jewish and having lost relatives in the Holocaust, I've always been aware of the meaning of prejudice. These are things that have remained with me throughout my political career.
We were just trying to make the films that we could get made, and to push the envelope. We didn't realize how far we had pushed the envelope. That all came later. That all came from books and articles about the golden age of the '70s. Believe me, to a lot of us, it was no golden age. The studio heads were very powerful then. They would fire guys right and left. They would look at your dailies and tell you what was wrong with them... a lot of stuff that doesn't go on today. Young filmmakers who are successful today, they don't often have that to put up with.
While I felt very much a Southerner as a child, being Jewish gave me an outsider's perspective. People look at region in a variety of ways, and I always paid attention to food. Food rises above other things for me. From a young age, I saw food as a barometer of cultural identity, and I was fascinated by how people defined themselves through their food traditions.
It was really important to try to reach a whole new audience so we had a lot of people in who not only had not seen the last film but were not Star Trek fans, or thought of themselves as not being Star Trek fans, or they had seen bits and pieces of Star Trek in the past and it was just not for them.
Some people will know exactly what they want to do at a very young age, but the odds are low. I feel like people in their early- to mid-20s are very earnest. They’re very serious, and they want to feel like they’ve accomplished a lot at a very young age rather than just trying to figure stuff out. So I try to push them toward a more experimental attitude.
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