A Quote by Tavi Gevinson
There are a lot of distractions when you're in creative industries like publishing or fashion or media, and it's a real blessing to have witnessed some of those up close at a young age. I think when you get past the glamour, that's when you get to the good stuff - the stuff that really feeds your soul and enriches you as a person.
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I think it is the weak and the young and the minorities that you need to look after to get a healthy creative environment - to get a lot of choices, a lot of different styles of music, a lot experimental stuff that everyone else feeds off.
I've been doing magic since I was five years old, and when I was trying to get acting gigs, I found I could make a good living at it. It's great to kind of shake the cobwebs off and get the feeling of a live audience again. I love close-up magic, the card stuff, the coin stuff, the really up-close David Blaine stuff.
Despite what you hear about the publishing industry being a fixed game that you can only get in if you know somebody, I'm here in person to tell you it ain't so. If your stuff is really any good, sooner or later some editor will take a chance on you.
I'll get out and do Pilates. I'll get in the ring and do some rounds of kickboxing and grappling and MMA conditioning. There's a lot of unique stuff that I do, too, that a lot of people wouldn't imagine or think about doing, like box jumps. You get a 42-inch box and dumbbells and practice working on your explosion jumping up on those boxes.
I think magazines like Glamour have the ability to have a great impact. Glamour has the ability to expose them to things like feminism that they may not be well acquainted with. In fact, Glamour has done that in the past - when I was in eighth grade I read an article in Glamour magazine about female feticide and infanticide that actually sparked my entire interest in feminism. I hate it when some feminists say we should get rid of beauty and fashion magazines - I think there's room in feminism for fashion, for fun, for talking about sex and friendships and relationships, etc.
With the tone of the show, like a lot of the films, the Marvel creative team has found a way to bridge really exciting stuff that has real stakes. They balance some of the action stuff that the fans of the comics really want to see with characters that people can relate to and who are very human.
I like to mix it up with vintage '70s stuff and I like to wear a lot of guys' clothes. As far as night stuff, I have my stylist direct me in the right way. We have a vintage glamour, age-appropriate, pretty thing going.
Amazon has a good track record for blowing up industries, and fashion needs to look at what has happened to music, publishing and media.
Scouting is like CIA work and investigative work. You create a lot of stuff and try a lot of stuff. Some works and some doesn't. I try to get creative.
People go back to the stuff that doesn't cost a lot of money and the stuff that you don't have to hand money to over and over again. Stuff that you get for free, stuff that your older brother gives you, stuff that you can get out of the local library.
When I look at pictures from when I was younger, I think, "Holy crap, what the hell was I wearing?" I've made it a real mission to fully understand what fashion is all about. I love going to these shows because I love seeing creativity. So when I get to meet these fashion designers, I'm kind of like, "Where did you get the idea to make this? What were you thinking?" Some of that stuff is so crazy and loud.
This is one of the good parts of being a freelancer - you get to choose the spot you're going to be working at. But I wouldn't base everything on my social media or my work. I'm also a person and I have my personal life. So my social media is my work. It's an important part of my life but it's not my life. People tend to get the wrong idea because they only see the good stuff but it's just my work. I'm trying to portray only the good stuff and what I think is going to be inspiring. I have a personal Instagram where my friends follow me.
Life becomes a lot simpler for a creative person when he or she finds the routine that works best. ... get in the habit of going through the routine every day, and on some of those days, you're going to be lucky and have done some good work. ... Go to your study, close the door, invent your confidence.
At some point, you have to disconnect, if the obsession with playing a real person gets in the way of the movie at large. At the same time, we're all interested, as actors in trying to get as close to the real thing as we can, and whatever you can do in order to create that transformation feels fun and, for me, the furthest I can get away from myself is fun. It's all part of the costume, the accent, and all that stuff. It's about trying to get close without it being a detriment to the point of view of the story that you're trying to tell.
I've never really had specific goals and stuff like that - I think I sort of learned early on that if you kind of let life roll in at your feet, you will get a lot of great stuff if you are just aware and open to it.
I'm not really good at worrying. I think I get that from my pops. He can be in some really dire straights and be a real optimist, so I don't sweat the petty stuff.
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