A Quote by Tavi Gevinson

I'd seen 'The Sopranos,' but I wasn't a faithful viewer because I can't handle it. — © Tavi Gevinson
I'd seen 'The Sopranos,' but I wasn't a faithful viewer because I can't handle it.
I've never seen 'Mad Men.' I've never seen 'Breaking Bad.' I've never seen 'The Sopranos.' These sort of seminal shows.
I've seen every episode of 'Sopranos.'
I want my paintings to give the viewer a true sense of reality - that includes but is not limited to depth, scale and a tactile surface as well as the real sense of what the subject looks like and is feeling at the time that I painted them. There should be a discourse between the viewer and the subject, to feel as though they are in a way connected. My goal is not to set a narrative but rather to have the viewer bring their own experiences to the painting and the subject as they would if they had seen the subject on the street in real life.
A lot of the pieces I've done over the years have involved alterations of scale and the idea of the viewer's relationship to the object and how we see things by either enlarging or reducing objects, it causes the viewer to look at them again. It's hard to do because our culture is so bombarded by images and media. How do you make something fresh for a viewer? That's a real challenge.
I am very conscious of the viewer because that's where the art takes place. My work really strives to put the viewer in a certain kind of emotional state.
I cater to a viewer because that viewer's taste matters more than anyone else's, and I will keep him first in mind and then, if it also appeals to the critics, so be it.
You must always work not just within but below your means. If you can handle three elements, handle only two. If you can handle ten, then handle only five. In that way the ones you do handle, you handle with more ease, more mastery, and you create a feeling of strength in reserve.
I never knew what Amazon was. I've never seen any of those series, even on cable. I've never seen The Sopranos, or Mad Men. I'm out every night and when I come home, I watch the end of the baseball or basketball game, and there's Charlie Rose and I go to sleep.
I want people to remember me that I was faithful, faithful to the gospel, faithful to the call that God gave me. And when I get to heaven, I'm going to ask him why he called me, because I was much used to milking cows and working on the farm than I was preaching.
I'm not going to accept your challenge. There will be no duel." "Why not? Because I'm a woman?" "No, because I've seen the way you spinsters handle a pistol. You'd shoot me dead where I stood.
I feel like there is great purpose in a lot of my endeavors. I've seen God in the middle of them. I've seen Him be faithful in those things.
More and more, you're seeing television shows that are better than 99% of the movies out there. I mean, you watch something like the last couple of seasons of 'The Sopranos,' which is some of the most sophisticated writing I've ever seen filmed and some of the best filmmaking I've ever seen - and it's a TV show.
'The Sopranos' only reflected the tenor of how things are done in New Jersey. They didn't invent it. And I say that as a fan of both 'The Sopranos' and New Jersey.
When people come back from war and combat and they see things that maybe a lot of the folks in this room have seen many times over, and you're strong and you can handle it, but a lot of people can't handle it.
Your task, O preacher, is to make sure that you are faithful to the text, that you are faithful to the proclamation of that gospel, that you are faithful to set forth the whole counsel of God, and then step back and let it happen.
The context in which a photograph is seen affects the meaning the viewer draws from it.
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