A Quote by Tavon Austin

If we're losing, I probably won't be talking as much. I'll probably be more talking to my pads. — © Tavon Austin
If we're losing, I probably won't be talking as much. I'll probably be more talking to my pads.
I'm not talking about losing [agricultural] diversity in the same way that you lose your car keys. I'm talking about losing it in the same way that we lost the dinosaurs: actually losing it, never to be seen again.
People are talking about sex. They're talking about sex with their husbands. They're talking about sex with their girlfriends. They're talking about sex with their partners. And because of all of this communication, women are having much more intimate relationships, which is fantastic.
Keep in mind, when two enemies are talking, they're not fighting, they're talking. They might be yelling and screaming, but at least they're talking. It's when the talking ceases that the ground becomes fertile for violence.
Less talk - more work! There is too much talking going on. Because of excessive talking, spiritual energy is being wasted.
We're into a world where we're not talking about gay or straight or bisexual any more so much as we're talking about being transgender or identifying as a woman if you're a man.
I don't like talking. It's how I'm built. Some people gab all day and some play it smogo. I don't mind talking or smiling, it's just I don't do it very much. I haven't got a smiling face or a talking mouth.
She [Hillary Clinton] knows the people well. I think there is - you know, also talking about breaking down barriers and talking about that, whether we`re talking about that in economic terms. I mean, she`s the only person who has been out there talking about white privilege and talking about sort of the intersectionality of some of these issues.
A lot of us in Slipknot, we get to go to wounded soldier hospitals where soldiers have lost their limbs. That's surreal. It's even more surreal to talk to them about your band. They're talking to you about war and losing their limbs, and at same time, they're talking about their favorite album, these kind of things.
We're talking about a prison-industrial complex. We're talking about a war on drugs that's generating unprecedented levels of incarcerated folk. We're talking about dilapidated housing. We're talking about joblessness and underemployment.
It seems to me that we make a terrible mistake in talking about Trump as some kind of essence of evil. Trump is symptomatic of something much deeper in the culture, whether we're talking about the militarization of everyday life, whether we're talking about the criminalization of social problems, or whether we're talking about the way in which money has absolutely corrupted politics. This is a country that is sliding into authoritarianism.
You might be talking to someone who relates a song to losing a friend and you end up talking in the most intimate way. You can get so engaged that you end up in this existential conversation.
Trump is an outsider; maybe you don't know. So he is sitting in a room: he is talking business, he is talking politics - in a private room, it's a different persona. When he's out on the stage, he is talking about the kinds of things he's talking about himself; he's projecting an image that's for that purpose.
We belong to talking, not what talking is about... Stop talking - and you are out. Silence equals exclusion.
We seldom repent talking little, but very often talking too much.
Yeah, I'm going to start talking to myself a little bit. Not talking to the opponent as much.
If I'm talking to a photographer, I'm talking to a stylist, I'm talking to a makeup artist, we're kind of creating and collaborating and making something that is artwork and is special and is different.
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