A Quote by Tawfiq al-Hakim

When the artist ... intends from the beginning to be obscure and take obscurity as his objective or goal for its own sake and wishes to astonish, shock, and seem mysterious, that is a swindle.
The important thing in writing is the capacity to astonish. Not shock - shock is a worn-out word - but astonish.
Clearly the hardest thing for the working artist is to create his own conception and follow it, unafraid of the strictures it imposes, however rigid these may be... I see it as the clearest evidence of genius when an artist follows his conception, his idea, his principle, so unswervingly that he has this truth of his constantly in his control, never letting go of it even for the sake of his own enjoyment of his work.
To be sure an artist wishes to raise his standard intellectually as much as possible, but the man must remain in obscurity. Pleasure must be found in the studying.
While fame impedes and constricts, obscurity wraps about a man like a mist; obscurity is dark, ample, and free; obscurity lets the mind take its way unimpeded. Over the obscure man is poured the merciful suffusion of darkness. None knows where he goes or comes. He may seek the truth and speak it; he alone is free; he alone is truthful, he alone is at peace.
If an Artist love his Art for its own sake, he will delight in excellence wherever he meets it, as well in the work of another as in his own.
Books are influential in proportion to their obscurity, provided that the obscurity be that of inexpressible Realities. The Bible is the most obscure book in the world. He must be a great fool who thinks he understands the plainest chapter of it.
But a man's best friend is the one who not only wishes him well but wishes it for his own sake (even though nobody will ever know it): and this condition is best fulfilled by his attitude towards himself - and similarly with all the other attributes that go to define a friend. For we have said before that all friendly feelings for others are extensions of a man's feelings for himself.
The artist's knowledge of his own creative nature is often unconscious; he pursues his mysterious way of life in a strange innocence.
It is with art as with love: How can a man of the world,with all his distractions, keep the inwardness which an artist must possess if he hopes to attain perfection? That inwardness which the spectator must share if he is to understand the work as the artist wishes and hopes... Believe me, talents are like virtues; either you must love them for their own sake or renounce them altogether. And they are only recognized and rewarded when we have practised them in secret, like a dangerous mystery."
The value of the goal lies in the goal itself; and therefore the goal cannot be attained unless it is pursued for its own sake.
The best friend is he that, when he wishes a person's good, wishes it for that person's own sake.
If God wishes to be born as man and to unite mankind in the fellowship of the Holy Ghost, He suffers the terrible torment of having to bear the world in its reality. It is a crux; indeed, He Himself is His own cross. The world is God's suffering, and every individual human being who wishes even to approach his own wholeness knows very well that this means bearing his own cross. But the eternal promise for him who bears his own cross is the Paraclete.
Every individual necessarily labors to render the annual revenue of society as great as he can. He generally neither intends to promote the public interest, nor knows how much he is promoting it. He intends only his own gain, and he is, in this, as in many other cases, led by an invisible hand to promote an end which was not part of his intention.
The last end of every maker, as such, is himself, for what we make we use for our own sake; and if at any time a man make a thing for the sake of something else, it is referred to his own good, whether his use, his pleasure, or his virtue.
I have gone from local obscurity to national obscurity to international obscurity. Once I learn how to monetize obscurity, I will be rich.
Socialism is the doctrine that man has no right to exist for his own sake, that his life and his work do not belong to him, but belong to society, that the only justification of his existence is his service to society, and that society may dispose of him in any way it pleases for the sake of whatever it deems to be its own tribal, collective good.
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