A Quote by Tay Keith
I grew up in the area where we had Three 6 Mafia, and Playa Fly, and 8Ball & MJG. My parents and my family used to listen to it. I learned from them there, and got more into it - listening to the beat of songs, and just learning more about music.
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My cousin put me on Three 6 Mafia and Playa Fly. My other big cousin put me on 8Ball and MJG.
I think one of the ways that these young singers got started is that they would end up in clubs. And a lot of them were mafia owned. And so there was almost an unspoken kind of mafia sponsorship, which is just a very interesting part of that area's music history.
I can't ignore what I grew up listening to. My parents used to listen to Michael Jackson non-stop. They used to listen to Luther Vandross, Lionel Richie, Stevie Wonder.
A lot of the music is the kind of thing I grew up with, listening to it with my parents. So there was a band in London called the BBC Big Band, and I sang with them. And I had never done a big band before, and it was just so fantastic and I had such a good time...so that's how it all came about
Songs used to be short, then they became longer, and now they're getting shorter. But otherwise, music is about a beat and a message. If the beat gets to the audience, and the message touches them, you've got a hit.
I was talking to my dad about the stuff he grew up listening to, and 'Operation: Mindcrime' is a record that he had always talked about around the house. He always talked about it as the 'greatest concept album of all time.' One day, I started listening to it, and it just hit me. I was like, 'These songs are all hits. They're all huge songs.'
I grew up listening to my parents' albums. Many of them were either classical - Bach, Beethoven and Brahms - or easy listening, like Mantovani. I loved the spectrum of emotions in classical music, from fortissimo to pianissimo. My early passion for classical made my drumming more musical later on.
Songs used to be short, then they became longer, and now theyre getting shorter. But otherwise, music is about a beat and a message. If the beat gets to the audience, and the message touches them, youve got a hit.
I grew up on Bach and Beethoven, and now I'm listening to more modern composers who I can't even name. But since I'm constantly doing music, it's difficult to have that quality time to listen to music and do classical stuff.
I would say I grew up listening a lot to Barbra Streisand and Judy Garland and Joan Baez and Joni Mitchell. I grew up listening to those because my parents were kind of into folk music.
As a little kid I had a girlfriend, and her boyfriend used to beat me up, so then I used to sing these songs, and that's what it's all about. Country music is all about your heart and your people and things like that.
I grew up learning Russian and translating English songs when I became a teenager, we got to listen to West Germany radio stations, and learning lyrics with picture book. These are my first experiences with the English language.
I grew up listening to pop; I grew up listening to '60s pop music, the Beatles, the Monkees, Herman's Hermits and all that stuff. So I had a very strong background of listening to great pop music.
I grew up in the church not being able to listen to anything but gospel. So, while [other] people grew up with their parents listening to Marvin Gaye and Aretha Franklin, I never knew they existed until I was able to listen to what I wanted to.
I've got the best parents you could ever ask for. My parents are from New Jersey, and they met in Vermont in college. My Dad grew up listening to heavy, psychedelic music. He's my biggest fan.
I think that a lot of people are going so wrong by analysing music too much and learning from a totally different perspective from the way I learned. I mean, I just learned by listening to people. People I learned from learned by listening to people.
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