A Quote by Tayari Jones

Secret families are really the bedrock issue of Western literature. — © Tayari Jones
Secret families are really the bedrock issue of Western literature.
The destination of the soul: this is what I, led on by Nils Holgersson, came to seek in the literature of Western Europe. I fervently hope that my pursuit, as a Japanese, of literature and culture will, in some small measure, repay Western Europe for the light it has shed upon the human condition.
Families are the bedrock of our society.
This issue of terrorism is as much an issue for Pakistan as it is a Western issue.
There's something in the Western mind that gets very nervous when you try to talk about the bedrock of ontology.
We should recognize that schools will never solve the bedrock problems of education because the problems are problems of families, of cultural pressures that the schools reflect and thus cannot really remedy.
I look at western literature and especially North American literature, and I feel like it gets bogged down so much with all of that, with domestic stories and relationships and a woman dealing with the loss of her husband.
The dirty secret is that climate change is not really a partisan issue in Congress.
The immigration issue is about the separation of families, and that is not human, in any country in the world, but especially in the United States. We should not root for a law that separates families.
The resurrection of Christ from the dead, next to the Crucifixion itself, is the most significant event in church history. It isn't a peripheral issue; it's foundational. It's bedrock. It's the bottom line.
There's a thing when you're always working on something you really love, and this one we loved so much, it feels like you have a secret, and you can't wait to let people in on the secret. But at the same time, there's that moment where, "What if they get the secret and they think the secret is stupid?!"
American literature has never been content to be just one among the many literatures of the Western World. It has always aspired to be the literature not only of a new continent but of a New World.
The Western is as American as a film can get - there's the discovery of a frontier, the element of a showdown, revenge, and determining the best gunman. There's a certain masculinity to the Western that really appealed to me, and I've always wanted to do a Western in Hollywood.
It is our responsibility as Americans to provide for the families of those who have died to defend our nation. Raising the military death benefit is not a Democrat or Republican issue - it is an American issue.
We are pushing for Medicare-for-all. That's an economic issue - it really is. And if we can work toward a fair, more-equitable system for working families, everybody would have health care.
Reading literature remains a civilising activity, no matter that it's literature in which people do and say abominable things and the author curses like the very devil. What's at issue is how we describe the way the civilising works.
A western audience might not appreciate 'Chanakya's Chant' because of its dependence on history and ancient statecraft. My book is a modern-day thriller that draws on a bedrock of history. My primary object is to entertain, not educate.
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