A Quote by Taylor Dayne
Did people think I sounded black? Totally, but that was a marketing tool as well, but also this is how I grew up and these are my influences.
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I grew up as an artist. Science fiction allows for design and creatures and guns and all the stuff that I like as well. So I think most of the films I make, I'm sure, will be in that category. But I can also see myself making a film like 'Black Hawk Down,' and I could also totally do horror.
Obviously, in marketing, the best tool is to show the autobiography in fiction. It's inevitable how that happens, but it's generic. Say I've written a story where my sister dies. 'Well, did your sister die?' No, she did not. But people use those straws to grasp at the difference between reality and fiction.
Black Eyed Peas music appealed to everybody and that's why we incorporated EDM influences, dance influences, house influences, and we mashed it up with the Black Eyed Pea melodic pop sensibility that still has bounce to it.
I would say I'm black because my parents said I'm black. I'm black because my mother's black. I'm black because I grew up in a family of all black people. I knew I was black because I grew up in an all-white neighborhood. And my parents, as part of their protective mechanisms that they were going to give to us, made it very clear what we were.
I am making use of social media as a marketing tool. It's a great way to market yourself and your projects. It's a free marketing tool.
I grew up in Columbia, Maryland, a planned community built during the sixties. During the early years, it was very integrated. I grew up being taught by black teachers with black principals and vice principals and, you know, a lot of black friends. We played in mixed groups, and I kind of thought that was how it was.
I think people assume that because I talk the way that I talk that I grew up with money, and then I've had to say, 'No, I grew up poor.' And then I was like, 'Why do I have to play this game where the only black experience that's authentic is the one where you grew up in poverty?' I mean, it's ridiculous.
Black Lives Matter is our call to action. It is a tool to reimagine a world where black people are free to exist, free to live. It is a tool for our allies to show up differently for us.
Afro-Caribbean influences are in me as a creative being the same way Spanish influences were in Picasso's work. I think the notion of labels - "black dancer, black choreographer" -is a ploy to divide and conquer, and to limit.
Seeing my son getting roughed up by the police is not fun. It brings back memories of when I got roughed up by them. He grew up totally different than how I grew up, and to me, he shouldn't have to go through that.
I mean, I've always felt like a lot of people's misconceptions of me have to do with how I grew up. I grew up poor, and I grew up rich. I think some people who have never met me have a misconception that when I was living with my father when he was successful, that I was somehow adversely affected by his success or the money he had and was making at the time.
I grew up on what everybody called a plantation - but believe me, it wasn't a plantation. It was just an old farm. I grew up with a lot of black people working in the fields, and it was during the Depression between 1930 and the war, so we were all poor - black and white.
I think the internet is a great marketing tool--but marketing is not my job. I'm a writer. My job is to write novels.
Colombia is not how people think it is. We used to eat fish every Sunday at the beach. In the town where I grew up, people did not tell lies.
We did a black 'Julius Caesar' in which the predominant accent was Caribbean. This offends many people, you know. I also had a Chinese Marc Anthony. I also managed - this caused a great shock - I also got some white guys in it as well!
I grew up in the midst of poverty but every black kid that I knew could read and write. We have to talk about the fact that we cannot educate for critical consciousness if we have a group of people who cannot access Fanon, Cabral, or Audre Lorde because they can’t read or write. How did Malcolm X radicalize his consciousness? He did it through books. If you deprive working-class and poor black people of access to reading and writing, you are making them that much farther removed from being a class that can engage in revolutionary resistance.
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