A Quote by Taylor Goldsmith
It's not a lot, but we have 8,000 people following us. I get the biggest kick out of it, to hear words that I wrote and chords that I wrote being sung by somebody else. It's a true honor, and it might sound intense, but it's one of the most rewarding parts of the songwriting experience.
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I get the biggest kick out of it, to hear words that I wrote and chords that I wrote being sung by somebody else.
I always wrote everything - I wrote all the lyrics, I wrote all the melodies, everything; it's just somebody else sung it. And to me, the singer is nothing else than a different... like a bass player or a keyboard player - they're not more important than any other musician.
One of the most frustrating parts about songwriting for me is production, but it makes me want to get better at it and ends up being one of the most rewarding parts of it.
The most rewarding possible thing that a songwriter or an artist of any kind can experience is to hear firsthand from the mouth of somebody else that they don't know the weight or gravity or intensity that something they've made has brought out in somebody else's life. It's simultaneously flattering and humbling. It makes me so thankful that I've been so lucky to be able to do this work.
I always wrote. I wrote from when I was 12. That was therapeutic for me in those days. I wrote things to get them out of feeling them, and onto paper. So writing in a way saved me, kept me company. I did the traditional thing with falling in love with words, reading books and underlining lines I liked and words I didn't know.
My poems - I don't even like the sound of that, in a way. Not that anyone else wrote them. But we know that only people who are really close to us care about our personal experience.
In the immediate aftermath of the separation I just wrote and wrote and wrote. And wrote and wrote and wrote. Thank God I had that as an outlet.
I can play a song for somebody, and when certain parts come on, I cringe. I might not like my vocal or the way I sang a certain word. Playing intimate shows is when I feel the most vulnerable; you can hear and see everything. Those are the most rewarding as well.
Sometimes an idea from six years ago will come to me out of the blue. And maybe I haven't even seen the lyrics I wrote down, but I'll just have this physical memory of having written it, and in my mind I can see the piece of paper, and the words I wrote down, and then by muscle memory, I'll remember the chords that go along with it.
Actors are magical people. They can take words you wrote and say them in a way that, although you thought the line was good when you wrote it, it's fantastic when it comes out of their mouth.
I wrote myself back together. I wrote myself toward a stronger version of myself . . . Through writing and feminism, I also found that if I was a little bit brave, another woman might hear me and see me and recognize that none of us are the nothing the world tries to tell us we are.
There are parts in albums where I wrote a lot of the lyrics. There are parts on albums where Steve wrote a lot of the lyrics, even albums where Steve did the majority of the lyric writing. Then there were albums like 'Coming Home' where I did most of the chorus lyric writing. But it was always split.
I wrote a few unsuccessful screenplays before I wrote 'Before the Devil Knows You're Dead.' I wrote them as television plays that never got made. I'm glad I wrote them - I think it was a good experience.
Each person who ever was or is or will be has a song. It isn't a song that anybody else wrote. It has its own melody, it has its own words. Very few people get to sing their song. Most of us fear that we cannot do it justice with our voices, or that our words are too foolish or too honest, or too odd. So people live their song instead.
It'll never get old to hear a song that I wrote on the radio or to hear what someone experienced when they heard a song I wrote.
I knew that collaborating on songwriting would be difficult for a lot of people, because I was known very much, for my independence and the fact that I wrote these quirky songs that were not typical structure, not typical sound - you know, really original stuff.
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