A Quote by Taylor Goldsmith
Laurel Canyon and Dawes have become linked in a way that I think is misguided, frankly, to tell a new fan what we sound like. But at one point maybe it wasn't.
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Unfortunately it's easy to just label us as part of a Laurel Canyon sound. What we try to do is to be unique.
In June 2002, I had just finished 'Laurel Canyon' and decided to move back to Los Angeles after nearly a decade in New York. Post-9/11 New York felt different.
Laurel Canyon area music is legendary.
I think the ideal job in that alternative universe would be to lead whitewater rafting trips through the Grand Canyon. So maybe I'd be a guy leading whitewater rafting trips at the Grand Canyon. Or maybe a professional skydiver.
I think it's nearly impossible to be original now. For anything revolutionary to happen again, new instruments have to be invented. A new kind of guitar, maybe, and a new way to play it. There are only so many ways to manipulate sound, if you look at it scientifically.
Ask anyone in America where the craziest people live and they'll tell you California. Ask anyone in California where the craziest people live and they'll say Los Angeles. Ask anyone in Los Angeles where the craziest people live and they'll tell you Hollywood. Ask anyone in Hollywood where the craziest people live and they'll say Laurel Canyon. And ask anyone in Laurel Canyon where the craziest people live and they'll say Lookout Mountain. So I bought a house on Lookout Mountain.
If you have a conversation "Why is it you think masculinity is linked with heterosexuality? Or why is it you think masculinity is linked with sexual dominance or the sexually active position in the sex act?" If you start to ask people those questions, then they realize "Maybe gender is not one thing. Maybe I have collected a number of things under one category and I've made a mistake".
Lawyers on TV always tell their clients not to say anything. The cops say that thing: 'Anything you say will be used against you.' Self-incrimination. I looked it up. Three-point vocab word. So why does everyone makes such a big hairy deal about me not talking? Maybe I don't want to incriminate myself. Maybe I don't like the sound of my voice. Maybe I don't have anything to say.
I live up Laurel Canyon, and if I want to walk with my son, I have to drive to the park, which is so insane to me.
I would INSIST this record is in NO WAY COLD influenced. Don't get me bent though, I have been a huge fan of Cold from day one. One of the best most awesome song writers. Kelly has in OWN sound, He recorded on the POINT OF ORIGIN Record so there, of course, will be something that familiarizes the Cold sound. But Allele is much heavier, and just kind of warmer, different techniques and a different sound all together. Allele I think is more intense.
I don't really think there's a genre that we couldn't do, but it wouldn't sound like that genre, if that makes sense. I think we could take any song, but it would sound like us. If you're doing a country song, it could maybe sound a little bit country, but it's going to sound like Pentatonix.
Maybe I'm just stubborn about learning new things - I can't stand learning new programs - but any sound I can imagine, I can make with SoundForge. And I'm using the old version, like 4.5 from 1999. I use it for every sound.
I think you have to know these fellows definitely before you can draw them. When you start to caricature a person,you can't do it without knowing the person. Take Laurel and Hardy for example; everybody can see Laurel doing certain things because they know Laurel.
I've been making films with almost no dialogue (laughs), so sound and music become a very powerful character to tell the story. It's almost like with sound and music and images, it's your tool to tell the story, especially when I decide to structure the film in a way that usually goes against the conventions of the three-act structure which most films are made out of.
If you hear Thelonious Monk play a run that goes from the top of the piano, OK, he has opened up the Grand Canyon with that. He's the river that's carved this entire space that we call the Grand Canyon. He does that with one run. He lets you know, like, what the possibility of the sound of the piano can do.
I think the hearing loss started with 'Bonanza.' Sometimes the director would put us in a box canyon and have us fire our guns. The sound would really reverberate in a box canyon. It took me a long time to realize what was coming on me.
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