A Quote by Taylor Goldsmith
We knew what music we liked but not who was from where. As we started to look more into these artists, we started finding out that a lot of the stuff we were most drawn to was made in California.
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I started doing yoga in my 20s. I did teacher training, that was what I was going to do if acting didn't work out. I started teaching other actors right at the beginning of the yoga craze - people still thought it was a little weird, but a lot of actors I knew were getting into it and didn't want to look foolish in class. So I started teaching them!
When I was growing up, I wasn't in bands, and had really no intention of ever doing music. I went out to California for college, and kind of on a whim started making music really as a joke, and over the course of the next five years started playing a lot of shows, and music became this really integral part of my identity.
When I was talking a lot of trash, a lot of the guys knew that when I started getting serious was when I started getting a little bit quieter. If I started locking up somebody, then I'd start talking even more and I'd talk more aggressive. But once I stopped, they knew I was really serious.
I mean, I knew that one day I'd do something writing-oriented as soon as I started writing. But when I started singing, I was determined to make those two work together, so I just worked at it until I started making stuff that sounded like music.
I started using Twitter a lot and realized I had a lot of fans. Then I saw that I can share my music on Twitter and share my YouTube videos on Twitter. That's how I knew social media was going to be a platform to show my music. That's how I started. I started with Twitter.
The premise of Nossiter in 'Mondovino' would have been a lot more accurate when I started writing about wine in 1978 than when the movie was made in 2003. When I started, I was enormously critical of California wines, and I thought the entire wine industry was on a real slippery slope.
When I started music, I started out in Puerto Rico with classical music. But what really made me want to be a musician was jazz, and because I didn't grow up with jazz, I had to learn it from a very basic level. I had to go into the history and learn everything about the development of the music, all the players and all that stuff.
In Paris in the late '40s, I started making my first reliefs. They are separate panels. I wanted to do something coming out of the wall, almost like a collage. I did a lot of white reliefs when I started because I liked antique reliefs, really old stuff.
I've started my own record label - Jeepney Music - and I want to put out my own stuff and also stuff by other Filipino artists.
When I first started blogging, it was about getting out new music and capturing artists working in the studio. This was before artists were so social. They weren't so hands-on then.
Growing up, my grandmother did not want worldly music in the house. Then when I went out to California, I started listening to Spanish music, mostly Mexican music. But were I in Egypt, I would listen to the music of the people, or if I was in Italy, I'd listen to Italian music.
I started doing non-surf stuff like commercials, short films, and music videos and just started expanding my filmmaking that way. I started doing that more for a career: you know, it was paying the bills, and it was challenging. I was stimulated by it.
When I first started making music, I was pretty drawn to hip-hop beats wrapped together with super-good lyrics. The most important thing in that is wordplay, so that stayed with me when I started writing songs.
A lot of people think that you have to specialize in one sport from an early age in order to turn pro. Most of my teammates played a lot of different sports when we were kids. I liked to golf, water ski and play baseball. That helped me develop other aspects of my game and made me WANT to be on the ice even more once hockey season started.
I didn't have to be a pop singer with a certain look. When I started, there was really a revolution in natural artists with blues and folk artists crossing over; otherwise, I wouldn't have been able to get started.
After the first three or four years of me taking rap seriously, it started to look more promising. I started booking shows and more people were playing my music, so I starting believing this could actually work for me.
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