A Quote by Taylor Goldsmith
We let the lyrics be the focus of the song. Which is not what you hear with some of the zeitgeisty bands, like the War on Drugs, who I love, their lyrics are usually buried and The National, one of my favorite bands, Matt Berninger writes in fragments, in a very impressionistic way.
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When I published my first novel, 'Slammed,' I included lyrics at the beginning of each chapter from one of my favorite bands, The Avett Brothers. The overwhelmingly positive response from readers to those lyrics really surprised me.
When I published my first novel, Slammed, I included lyrics at the beginning of each chapter from one of my favorite bands, The Avett Brothers. The overwhelmingly positive response from readers to those lyrics really surprised me.
I think the whole concept behind lyrics is you better mean what you say, or you should like, become a storyteller. I mean, there's a lot of bands who are just storytellers, and then there are bands who actually have something valid to say. And the bands who have valid points are few and far between.
Bands that have positive lyrics that give people hope, I applaud them, you know I think we need to see more bands come out like that. I think it is great.
I would love to see Regina Spektor, Bjork, and some really cool-sounding festival bands like 'Metric' and 'The Cardigans,' who are one of my favorite bands.
There are bands that make parodies of being in a band, like Spinal Tap. That's a big influence. They're making fun of a rock band, but they write lyrics that are better than real rock bands.
Some bands today have the experience of really working together and honing their craft. And other bands are very much like, 'I just got a guitar for Christmas, let's start a band.' And you can hear the difference.
You're like the lyrics to my favorite song. You stick with me all day long. And when I reach the end I wanna hear it again.
I love great lyrics, and I love the way it could shape a tune into a very unpredictable one, and I also like taking a great melody and putting lyrics into it.
I think it was T.S. Eliot who talked about good poetry being felt before it’s understood. I believe that. There are some bands where I love their lyrics but I don’t have a clue what they’re on about.
I think it was T.S. Eliot who talked about good poetry being felt before it's understood. I believe that. There are some bands where I love their lyrics but I don't have a clue what they're on about.
My favorite song that I wrote is 'Love Line.' This was my first song that I wrote lyrics for, and I really wanted to express the feeling when you're in love and hoping the other person feels the same way.
First we start with the lyrics. Most of the lyrics are done by Stefan Kaufmann and me. When we have enough lyrics and enough stories we have the lines to make titles. Then we collect all the ideas of everybody in the band and see which ideas fit together the best with the lyrics to get the right atmosphere. That's the way we compose.
I'm so bad at lyrics. I'm always trying to get better. Sometimes, the song can restrict your lyrics - if you're trying to make a poppy song, you don't want to sing something that sounds like it could be on an At the Drive-In song.
The lyrics are not an important thing to me. In fact, it can be a distraction. If I knew the language enough to know it was a horrible love song with stupid lyrics - like most of the popular songs are today in the English language that I hear - then it would be much more of a turnoff then if it would allow me to interpret it from the expressive capabilities of the vocalizing or of the sound itself, which allows me to create my own meaning for it, which elevates it into a higher piece of work for me.
Imagine a music business where all the music press talked about, all day long, was cover bands of old rock and pop groups. Beatles cover bands, Rolling Stones cover bands, The Who cover bands, Led Zeppelin cover bands. Cover bands, cover bands, everywhere you go.
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