A Quote by Taylor Hanson
I don't know if it's irrational, and I would never say this before, but I think I'm a little bit agoraphobic when I'm in huge crowds of people. I mean, it's claustrophobic, probably - small spaces and large groups of people, anxiety rises for me.
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I love people; don't get me wrong. Individually, I love that interaction between people, and I'm not an ogre or something; but huge crowds of people, huge groups of people who seemingly have endless access to you - as I get older, I'm not really into that.
Rational anxiety is when you're aware of the source of your anxiety. Like, if I have to host an award show or talk to millions of people on the radio, I'm going to feel anxious, and I know why. Irrational anxiety is when I'm leaving CVS, and there's a car behind me, and I'm wondering if he's following me home.
That's what fascinates me about these writers' retreats: You're in these small spaces with small groups of people, and all of the sudden, the spotlight is shining on you harder than it normally is.
I know for me, music was the best drug for anxiety. So that's why I wanted to write the music that I do, because it always suits my anxiety. It's a huge part of my life, and being able to make music that can help people with their anxiety is a huge thing for me.
I hate elevators. I'm claustrophobic so for me to be in an elevator or small spaces is probably the worst thing on earth.
I wish I could see over crowds and small groups of people.
Another one of my favourite sayings is, you can't handpick your audience. I feel like I'm making music for people who think like me about music, and that takes a lot of different forms. I could never generalise - but I think if I were to generalise, I'd think that you would say that most of my fans are music lovers who are looking for something outside of the mainstream: maybe a little bit hard to pin down, a little bit hard to categorise.
I think people are a little bit intimidated by me. You know, I'm not exactly a wilting flower, so I think they're a little bit scared of me sometimes.
People, like large groups of people are stupid. Individuals are smart and can deal with things and can make things last and work, but when people get together in big crowds they're stupid. They turn into sheep, then you have major situations.
Space is something that you have to define. Otherwise, it is like anxiety, which is too vague. A fear is something specific. I like claustrophobic spaces, because at least then you know your limits.
For me, the word 'housewife,' because of, like, the 'Real Housewives' - I don't think housewife really means what it used to mean. To me, it's been a little bit overused to the point that it's not as loaded as it might be. I feel like in a perfect world we would say 'American Mom with Kids,' or something like that. 'Mom with Small Children.'
The reason I want to explain that you're probably never going to get revenge a sociopath and you're also probably not going to redeem this person, is that it is not a project that will ever succeed. At present, if a person does not have a conscience, we know of no way to instill one - not even a little bit. It's not like something you can take off the shelf and put into somebody's brain. It makes me so sad to hear people say, "I think I can see just a little bit of a conscience."
I'm a bit claustrophobic, I don't like crowds, I live by the sea - that's what I see when I come out of my house in Bridlington.
I am kinda like, if I don't really know people I am a little passive and a little quiet, and you know most of my friends they know a different side of me, so I guess that's what kinda Twitter gets to see a little bit, things that I would say around my friends and joke around with.
From the time I was little, I'd been kind of freaked out by the whole deal with large groups of people. And even moderate - sized groups of people. It's always made me very uncomfortable. It's such a strange phenomenon, what happens to people when they're all moving in the same direction, all chanting the same tune, the same line of slogans or something. That stuff always seems very alien and bizarre to me, and kind of scary.
People are always asking me what my lyrics mean. Does it mean this, does it mean that, that's all anybody wants to know. F**k them, darling. I say what any decent poet would say if you dared ask him to analyze his work: If you see it, dear, then it's there. ... I think my melodies are superior to my lyrics. ... I was never too keen on the British music press. They've called us a supermarket hype, and they used to suggest that we didn't write our own songs.
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