A Quote by Taylor Hawkins
The records that I grew up listening to had feel, and the drummers that inspired me - like Stewart Copeland, Neil Peart, Phil Collins and Roger Taylor - all had their own voice and individual style.
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I'm very influenced by jazz drummers. I always liked drummers like Roger Taylor, Keith Moon, Ian Paice, John Densmore. I just learned from playing to those drummers.
The advice I like to give to drummers is that there's no right or wrong way of playing the drums. I think the drumming community can be very antiquated and very stuck in the past of, like, this Neil Peart style, technical Guitar Center drum video kind of approach. That you need to have played for 15 years before you ever do anything worthwhile.
I feel terrible for women that have had Phil Collins tattoos. Their poor husbands have to deal with.
I envy drummers. It must be the ultimate to sing and play drums at the same time. Phil Collins, no wonder he's so f... happy.
I grew up in a very musical household. My brother had KISS and Van Halen records, but my parents loved country and show tunes, so I had all of those records when a kid. I pretty much knew exactly what I was going to do at a young age. I loved album covers, I loved listening to a record and staring at the art while listening to it. When I got older and discovered paining, drawing and PhotoShop, I was able to do both simultaneously; I enjoy making both.
What made me want to play drums in the first place was Led Zeppelin and The Who. My parents had their records, and I grew up listening to them with the stereo cranked.
The most inspiring drummer for me is Stewart Copeland from The Police. The Police are the first band I can remember really liking, and Copeland is a guy who was playing in sort of a rock band, or a rock-pop band, but he didn't want to do the traditional kind of rock drumbeat. He was doing all these kind of reggae rhythms, and the reggae style is almost an exact opposite of the rock mold of drumming.
After I started singing, I'd go to my dad's records I grew up with in his house listening to: Gordon Lightfoot, John Denver, the Carpenters, Bob Seger, Neil Diamond, voices that resonate with you, that you know who they are right away.
By the latter part of high school, by the middle of junior year in high school, Jay Rodriguez played me some Irakere records that that Paquito [D'Rivera] was on. And he also played me and our friend, Curtis Haywood, some Phil Woods records. And when I heard Phil, I just about lost my mind. I was playing the Charlie Parker Omnibook as part of my lessons. This was the '80s. There was no YouTube and all that. And we had three or four jazz records at that point.
I'm a fan of Genesis prior to Phil Collins. I don't really like Phil.
Influences come from everywhere. I don't really feel like I had too many influences for the first record because I grew up listening to music in church, and that was pretty much it. I didn't really grow up listening to AC/DC and all those bands.
I grew up, like - since I had a lot of brothers, I grew up listening to Hot Boys, Goodie Mob, OutKast, basically all the southern albums, like Silkk the Shocker, Master P, Soulja Slim, and then it just elevated on when I started getting into music and I started listening to Nas and Jay Z and stuff like that and Lupe Fiasco and whatnot.
I've always had a soft spot for Phil Collins. He's a great vocalist.
People say footballers have terrible taste in music but I would dispute that. In the car at the moment I've got The Corrs, Cher, Phil Collins, Shania Twain and Rod Stewart.
Music leaves such a big impression. I always wondered, 'Man, if I grew up in Nashville, would I be making Country records now?' I honestly feel like Chicago had such a big impact on me.
I have a feeling a lot of the records I grew up listening to and the records I still like, as hard as musicians worked making them, I feel like they were really enjoying what they were going through. They weren't just going through the process. You can tell that with certain things that you listen to.
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