A Quote by Taylor Jenkins Reid

You can't write about an iconic Hollywood star of the sixties without bumping up against Elizabeth Taylor. — © Taylor Jenkins Reid
You can't write about an iconic Hollywood star of the sixties without bumping up against Elizabeth Taylor.
Elizabeth Taylor is one of the great cultural icons. She is a part of our history and should be celebrated.… This presentation is very special for the community, there are so many people who want to understand this side of Elizabeth Taylor.
There's something I call telegenekicity, and it's not about just models. Of course, I can reference Iman, Tatiana Patitz, Kelly Emberg, Bonnie Berman - I go all the way back - but I think that you develop an eye to register iconic images - like Greta Garbo and Elizabeth Taylor.
The people I tend to look to and reference are Hollywood icons; Audrey Hepburn, Elizabeth Taylor, Rita Hayworth.
I've had the good fortune of working with some amazing people. I mean, my first Broadway show was with Elizabeth Taylor and Maureen Stapleton. Maureen Stapleton, a legend in the theatre; Elizabeth Taylor, a legend, period.
J. Lo, whether she is good or bad, is like a fiery movie star, a throwback to Elizabeth Taylor in her heyday.
My first Broadway show was with Elizabeth Taylor and Maureen Stapleton. Maureen Stapleton, a legend in the theatre; Elizabeth Taylor, a legend, period.
If you ever hear anybody refer to Elizabeth Taylor as Liz Taylor, you can be pretty sure the person doesn’t know her.
Elizabeth Taylor is, in my opinion, the greatest actress in film history. She instinctively understands the camera and its nonverbal intimacies. Opening her violet eyes, she takes us into the liquid realm of emotion, which she inhabits by Pisces intuition. Richard Burton said that Taylor showed him how to act for the camera. Economy and understatement are essential. At her best, Elizabeth Taylor simply is. An electric, erotic charge vibrates the space between her face and the lens. It is an extra-sensory, pagan phenomenon.
In many ways, everything about my upbringing decreed that I wouldn't write a memoir because in the world where I grew up, in Chicago in the Fifties and Sixties, one key way of protesting ourselves - 'we' meaning black people - against racism, against its stereotypes and its insults, was to curate and narrate very carefully the story of the people.
Everybody says I can't act. They said the same thing about Elizabeth Taylor. And they were wrong. She was great in A Place in the Sun. I'll never get the right part, anything I really want. My looks are against me. They're too specific.
I never wanted to work in fashion. At age 12 or 13, I wanted to design for showgirls - for the theater! And I was crazy for the Hollywood of the 1950s: Dietrich, Elizabeth Taylor, Jennifer Jones. They were my idea of glamour - and Sylvie Vartan, the French singer.
Elizabeth Taylor is gorgeous, beautiful, and she still is today, I'm crazy about her.
Sugar Ray Leonard's retirements last about as long as Elizabeth Taylor's marriages.
Today Washington is our Hollywood, the Senate our Warner Bros., the White House our Beverly Hills. People who never read a line of a movie magazine deal with the lives of leaders as if they were Elizabeth Taylor and Richard Burton.
All women need makeup. Don't let anybody tell you different. The only woman who was pretty enough to go without makeup was Elizabeth Taylor and she wore a ton.
I'm not a big Hollywood star. I'm an actor. I'm called a star. That's not what I am. First of all I'm a human being; my profession is acting. People give you titles. They say you're an up and coming star, then they say you're a star, then they say you're a washed-up star. So I don't get caught up in what I'm called. My job, my profession, is acting.
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