A Quote by Taylor Jenkins Reid
It wasn't until I set out to write a novel about marriage that I realized how little I knew about the institution.
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When I was touring and spending so much time on the bus, I realized that I actually knew very little about the industry that I'm in so I set out to educate myself on the music business.
In 1994, after four years of talking about travel on my first show, I realized I knew so little about the world - I knew so little about myself. I decided to quit my job and pursue a postgraduate degree in New York.
I still think marriage is a goofy institution if you set it up as this institution with a predetermined set of rules. It's unhealthy to have a predisposed expectation of what you think a marriage should be - as this thing at the end of the rainbow. False expectations take away joy.
When I read the script [of Good Kill], it read like a science fiction film. And Andrew [writer/director Andrew Niccol] is known for sci-fi. But when I spoke to him, he said this picture was 100% factual, which blew my mind. I realized then how little I knew about the drone program. And I felt that, if I knew so little about it, there must be others who should be educated about what's going on.
I realized how little I knew about my own country. I had grown up in the suburbs and, after college, I moved out of the country, so I didn't really know the place well. When I started following soldiers and their families back home, it provoked a lot of the questions about who we are as a nation, questions I realized couldn't be explored through the more limited framework of looking at the military at war and at home.
The DNA of the novel - which, if I begin to write nonfiction, I will write about this - is that: the title of the novel is the whole novel. The first line of the novel is the whole novel. The point of view is the whole novel. Every subplot is the whole novel. The verb tense is the whole novel.
Yeah, I think that social conservatives recognize that they didn't just lose the debate about same-sex marriage. They lost the debate about the institution of marriage, and those two things were sort of connected to each other. The way people thought about marriage changed.
If you write a book set in the past about something that happened east of the Mississippi, it's a 'historical novel.' If you write about something that took place west of the Mississippi, it's a 'Western'- and somehow regarded as a lesser work. I write historical novels about the frontier.
I realized I had a novel on my hands, but didn't know where it was going to go. So I thought, 'I'm going to do everything that you're not supposed to do when you plan a novel; I'm going to step back and let this thing take itself wherever it wants to go, and I'm not going to worry about how things connect until later on.'
I realized I had a novel on my hands, but didn't know where it was going to go. So I thought, 'I'm going to do everything that you're not supposed to do when you plan a novel; I'm going to step back and let this thing take itself wherever it wants to go, and I'm not going to worry about how things connect until later on.
If you set out to write an adjective novel, you're setting out to write a mediocre novel; your allegiance is to the adjective, not to the story, and then that just sucks all the joy right out of it.
Let's not forget that for thousands of years the institution of marriage has been between a man and a woman. Until quite recently, in a limited number of countries, there has been no such thing as a marriage between persons of the same gender. Suddenly we are faced with the claim that thousands of years of human experience should be set aside because we should not discriminate in relation to the institution of marriage. When that claim is made, the burden of proving that this step will not undo the wisdom and stability of millennia of experience lies on those who would make the change.
When I realized I could write lyrics and let someone that I knew listen to them, but not know that the song was about them - say it was a girl. I could write this song about how I feel about this girl, I could play it to them. I just loved it, because all of the words would speak to them. I could see them slowly falling in love with me.
... fighting for gay marriage generally involves lying about what we are going to do with marriage when we get there-because we lie that the institution of marriage is not going to change, and that is a lie. The institution of marriage is going to change, and it should change. And again, I don't think it should exist.
When I heard about how big a star Puneeth Rajkumar is, I was anxious about working with him. It was only after we began shooting that I realized how chilled-out and down-to-earth he actually is. We worked hard on the set but also had fun doing so.
I had been a reporter for 15 years when I set out to write my first novel. I knew how to research an article or profile a subject - skills that I assumed would be useless when it came to fiction. It was from my imagination that the characters in my story would emerge.
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