A Quote by Taylor Kinney
I was in San Francisco for 'Trauma' and then got back to town and got situated and started looking at things and passing on things. I think I was around for a month and a half, and there were other projects that were up, but it's all a waiting game. And then, 'The Vampire Diaries' came up, and I was really interested and read for it.
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Looking back, I remember my family laughing a lot. We were never the kind of people that dwelled on hard times. My family laughs when things are tough. Growing up like that, I got used to making jokes about things that were difficult. So when I started doing stand-up, that's what I went towards.
Because I was such a student of pop culture growing up, I love that on the list of things that I got to work on in my first years out of college were 'Scream' and 'Dawson's Creek' and, ultimately now, 'The Vampire Diaries,' which generations below me grew up on and can quote. I love that. I think that is the coolest thing in the world.
The 'Degrassi' producers were very supportive. They sent me flowers when I got 'The Vampire Diaries,' and then as soon as it premiered and got the great numbers that it did, I got another large bouquet of flowers from them.
I remember one letter from a girl in a midwestern town who read one of my books and thought she had discovered it- that no one had ever read it or knew about it. Then one day in her local library she found cards for one or two of my other books. They were full of names- the books were borrowed all the time. She resented this a bit and then walked around the town looking in everybody's face and wondering if they were the ones who were reading my books. That is someone I write for.
The 'Degrassi' producers were very supportive. They sent me flowers when I got 'The Vampire Diaries,' and then as soon as it premiered and got the great numbers that it did, I got another large bouquet of flowers from them. Every time I go back to Toronto, I see them and hang out with them.
I think of my life as divided between a lot of different periods. I grew up in the country, but as I got older I became more of an urban person. That's really when I started to become more of a creative person who was interested in fine arts, painting, drawing, and music. I studied jazz for a long time. Looking back, all those things were great training.
I grew up watching 'Dawson's Creek,' and I started watching 'The Vampire Diaries' when I was auditioning because I wanted to get a feel of it... then I totally got hooked!
I grew up in a small town where we played around on motorcycles and things, but it really started when I got old enough. I think I was obsessed with the culture of riding. I got sick of having to date guys who rode motorcycles for me to be on them.
I really started from the bottom. When I got drafted, I was not playing. I had to work my way up. Then I got traded, came off the bench, then became a starter.
I was always interested in myths growing up. So, first I got into some Roman myths, then I was interested in Norse, then Celtic, then I started spreading to all the other mythologies.
I think that's something that always enticed me about the '40s - back then, the glamour and the style - you couldn't really make it up. You just were or you weren't. You either fit in that world or you fit in the other. Things were very cut and dry. Things were simple. There wasn't a whole lot of excess or flash to be flashy; it was real flash, and real excitement.
We got the goals early in the game and I thought we just got a little too comfortable with things. They started changing their defense, they started going from a zone defense to a man-to-man and doing different things. We got sloppy, and I give them credit for the way they played. We got sloppy and had some turnovers there. We did have some opportunities, one-on-one with the goalie in the second there, but we need to finish things. They found some momentum in their defense and were able to crawl back in.
They were a wonderful set of burglars, the people who were running San Francisco when I first came to town in 1923, wonderful because, if they were stealing, they were doing it with class and style.
If God wanted to create life and create humans, it would be slightly odd that he should choose the extraordinarily roundabout way of waiting for 10 billion years before life got started and then waiting for another 4 billion years until you got human beings capable of worshipping and sinning and all the other things religious people are interested in.
So, I went to Germany and ended up parasailing around this castle. I was in Germany sightseeing, eating Bratwurst and hanging out in beer gardens. And then, I got back from Germany and got a call where they were like, "We need to fly you to New York tomorrow to read with Taylor [Schilling]." I was like, "Wait, for Alex, the manipulative drug-smuggling lesbian girl?!," and they were like, "Yeah."
This one, even though it called for San Francisco, I think they wanted to initially shoot part of the film up here, you know get the exteriors and then go back to L.A. We really fought to get it up here and I think Paramount was really pleased.
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