A Quote by Taylor Kitsch

I would murder to play Gambit again! — © Taylor Kitsch
I would murder to play Gambit again!
Most African Americans, especially the men and women from my generation, would accept the nationalist gambit that says only European Americans can be racists, which is an interesting gambit.
I dont want to just play gay characters, ... I think it would get boring to play the same thing again and again and again.
A man lusts to become a god... and there is murder. Murder upon murder upon murder. Why is the world of men nothing but murder?
Do you have to do murder? Do we have to do murder? Sure we have to do murder. There are only two subjects--a woman's chastity, and murder. Nobody's interested in chastity any more. Murder's all we got to write stories about.
Violence never really deals with the basic evil of the situation. Violence may murder the murderer, but it doesn’t murder murder. Violence may murder the liar, but it doesn’t murder lie; it doesn’t establish truth. Violence may even murder the dishonest man, but it doesn’t murder dishonesty. Violence may go to the point of murdering the hater, but it doesn’t murder hate. It may increase hate. It is always a descending spiral leading nowhere. This is the ultimate weakness of violence: It multiplies evil and violence in the universe. It doesn’t solve any problems.
It would be as naive to study the song of the nightingale, as it would be ridiculous to try and win a King's Gambit against a representative of the old chess guard.
There's a play that Chekhov wrote called 'Uncle Vanya,' and I when I was in school, I played Sonya, and sometimes people ask me if there was ever a role I could play again, that's definitely the role I would play again: Sonya in 'Uncle Vanya.'
Black music has always known, and not been afraid to acknowledge just how high the stakes of Black thought are. To summarize the final soliloquy of Clay, the protagonist in LeRoi Jones’ (aka Amiri Baraka’s) play Dutchman. You’d better be glad Charlie Parker could play him some horn and Bessie Smith could sing, because if they didn’t make music they might murder you. One would be hard pressed to find another group of people on this planet whose music is a surrogate for murder. One would be hard pressed to another group of people on this planet whose life is a proxy for death.
What the devil possessed me to reply 1. ... e5?? I compltely forgot that Spassky, like Spielmann in the past, very much likes to play the King's Gambit.
Cool thing about Fidel Castro is that the CIA and the mafia - which are both terrible organizations that tried to murder him again and again - haven't succeeded.
If I lost him here, to this idiotic fight, after I fought and guarded him for two weeks, after I cried and thought he was dying, I would find him in the afterlife and I would murder him again.
Anybody who's been through a divorce will tell you that at one point. they've thought murder. The line between thinking murder and doing murder isn't that major.
I've said that I would play anything to do with 'Star Wars.' But really, deep down, I would love to come back as Darth Maul - that's what I want to do. I would go crazy, go mental, lock myself in a cabin, you know. Do the whole 'method' for two or three months, spear-fishing and stuff, just to play the character again.
I've never written anything that I haven't wanted to write again. I want to, and still am, writing 'A Few Good Men' again. I didn't know what I was doing then, and I'm still trying to get it right. I would write 'The Social Network' again if they would let me, I'd write 'Moneyball' again. I would write 'The West Wing' again.
I want to be a starter again, I would really enjoy playing for the Phillies again, but my first consideration in making my decision is finding a circumstance that is right for me. I want to play for the Phillies again, but I also wouldn't mind joining a team I've never played with before.
I grew up on a farm and, prior to my father's murder, I wanted to get away from the farm, and away from South Georgia where the Jim Crow laws absolutely controlled anything and everything we did. So, my goal was to leave once I completed high school. But on the night of my father's murder, I made a commitment that I would not leave the South, that I would stay and devote my life to working for change. So, my father's murder has shaped the course of my life even up to this very day.
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