A Quote by Taylor Kitsch

I admire an actor that can do a lot with doing nothing really, for the most part. I like doing a lot by doing so little. — © Taylor Kitsch
I admire an actor that can do a lot with doing nothing really, for the most part. I like doing a lot by doing so little.
I´m a real believer that just doing a little something is a lot better than doing a lot of nothing.
I really love doing nothing. I really love just being at home and taking a couple of days, you know, doing nothing. You know what I mean? Just getting up, being around the house, going outside the back yard, coming back in; I really like to do nothing because I travel a lot. There's a lot of travelling. There's a lot of on the phone all the time. There's a lot of looking at papers and reading things and so you don't want to read magazines and you don't want to do anything; you don't want to read books, you just want to just kind of shut down a little bit.
If you are lucky as an actor, you are doing a character that really matches where you are in life, or you're doing a character that is not where you are. If it's somewhere in between, you have to use a lot of imagination and a lot of thought.
Success isn't winning every time. A lot of different factors go into every race, and you can't control all of them. Success means doing as excellent a job as you can on that particular day. The people I admire most aren't necessarily the most wonderful athletes. I admire the ones who keep coming back and doing it, time after time.
It takes a lot of time to be a genius, you have to sit around so much doing nothing, really doing nothing.
I like doing a lot of research, and then you get there, you're in wardrobe, and then you're just reacting to what the other person is doing. The other actor is reacting to what you're doing, and it's this great back and forth. Because you've done all this research, you can use some of it or throw a lot of it out. You can get lost in it.
I've been really lucky to spend some time around actors and artists I really admire. One thing I gathered from asking a lot of questions is that part of this job and this life we've chosen is doing personal exploration in front of an audience. In a lot of ways, that's what art is: personal searching with people watching.
Mo-cap work is less technical than you'd expect. Once you have it all set up you're free to do the whole scene in one take rather than doing a lot of different shots and different takes like you do in a movie. You've got that one go at it and you've got a lot of freedom. You can really express yourself - more like doing theatre than doing a movie.
A lot of people are focused on taking over the world or doing the biggest thing and getting the most users. I think part of making a difference and doing something cool is focusing intensely.
There isn't much of a music scene in Hermann, unless you like polka. But the landscape I grew up in is a part of me. I spent a lot of time in the woods doing a lot of nothing to break the boredom.
I feel like in a lot of ways I've gotten kind of soft as an actor, not doing stage stuff. In terms of being a better actor, it's really important.
There's that talent thing where I can score goals, and there's also that want and ambition to keep doing it and doing it and doing it. I've seen a lot of players do it for a year and then they rest on their laurels, but I've been very driven throughout my career. Without being the most talented, I think I've tried to make the most of it.
The truth is, an actor's performance is the result of work by a lot more people than just the actor. When you see that character portrayed up on screen, there is the work certainly of the actor, but there's the work of the editor, there's the work of what the camera was doing. What the music was doing, all of the above.
You have guys that are comfortable in certain roles and they've made a lot of money in the role that they've been in, so it's hard for them to change or envision doing something different from what they're doing because what they're doing obviously was giving them a lot of success.
A lot of people want to judge the fact that I'm an actor. That's ridiculous. No one knows what I was doing before I made my first movie. I just happened to do it as an actor all the while I've been doing music, but never with the intention to become a screaming famous pop star.
I had the feeling I had to stay focused on what's lying under. A big part of the story in Toni Erdmann happens on the sub-level. On the surface, a lot of scenes, it's banal. If the actor starts thinking, "Oh, I'm in a genre, I'm doing a comedy, I'm doing funny things," then you lose.
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