A Quote by Taylor Lautner

I got to work with legendary director Garry Marshall. — © Taylor Lautner
I got to work with legendary director Garry Marshall.
In 'Mother's Day,' which is directed by legendary director Garry Marshall, I play a mother figure to the character played by Jason Sudeikis from 'Saturday Night Live.' He's a widower, and I'm a mother who's helping him to get over the loss of his wife.
The first time I met Garry Shandling was my audition for 'The Larry Sanders Show,' with Garry and his casting director Francine Maisler. I can recall every minute of it. He was gracious and kind, and he read with me. He was terrific.
Garry Marshall is a joy. I feel so utterly safe in his hands.
I was... 15? And Garry Marshall, who had many, many seasons in the sun and a very long career, was in the middle of the brightest of all his seasons - I think he owned network television - and it was his next thing, and he was directing [Mean Jeans ]. And I thought, "If there's anyone who can bring comedy out of a designer jeans shop, it's gotta be Garry."
In essence, I owe my career to Garry Marshall. There was no known reason for him to hire me for 'Pretty Woman.'
I loved Garry Marshall. The television shows he created in the '80s were the most deeply important entertainment of my childhood.
I remember Tucker Toomey was named so because "T's are funny!" And if Garry Marshall says it's funny, by god, it must be so.
I got to work with legendary people.
The Nanjing games are homework by Garry Kasparov and me, [...] Today's game was provided by Garry.
When I got my first Marshall amp, it was so empowering. No one ever forgets their first Marshall amp if you're a guitar player pursuing a big powerful sound. I mean, no one ever forgets their first Marshall amp.
After I graduated college, I moved to L.A. I started working for the Garry Marshall Theatre in Toluca Lake and did theater at the Hudson Theatre in Santa Monica. I paid my dues by working at every single restaurant in the Grove until they fired me. I worked an overnight shift at the Mondrian Hotel.
With a director it's all about the work; I'd work with a great director over - you know, I'm not the kind of actor who that doesn't go, 'I want to play this role.' It's more like, 'I want to work with this director,' regardless of what the role is because if it's a good director, you'll probably find a good role because it's a decent film. But a mediocre director will always make a mediocre movie.
From the start, there was unanimity about my arrival at Manchester City. The coach, the executive director Garry Cook, and chairman Khaldoun al-Mubarak - I felt everyone wanted me.
Rituparno Ghosh is a legendary director, and I happen to be a huge fan of his.
What can I say about a world without Garry Shandling? This is where I need Garry. He would have something pithy, and there would be a laugh, and your heart would break at the same time. He changed my life.
I got to work with Robert DeNiro once and it was a strange experience. Gwyneth Paltrow and I were doing Great Expectations movie together and we were complaining about what a mediocre film experience it was. DeNiro showed up on set and all of a sudden the director got better, the director of photography got better - everybody got more interested and excited. DeNiro isn't waiting for other people to create the environment that he wants, he brings it along with him.
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