A Quote by Taylor Louderman

More and more, I find that I love doing comedies; that instant gratification that you get on stage when they laugh at you feels really good. — © Taylor Louderman
More and more, I find that I love doing comedies; that instant gratification that you get on stage when they laugh at you feels really good.
I find it easier to cry than I do to laugh convincingly. It's incredibly hard to pull off a laugh that feels natural take after take after take, that feels real. You can tell a fake laugh the minute you hear it, and that's something I really struggle with more than producing tears.
Polaroids were the instant thing to get a photo back when I started it. You had to wait two days to get your film back if you had a real camera, and I was more of an instant-gratification guy.
We know – it has been measured in many experiments – that children with strong impulse control grow to be better adjusted, more dependable, achieve higher grades in school and college and have more success in their careers than others. Success depends on the ability to delay gratification, which is precisely what a consumerist culture undermines. At every stage, the emphasis is on the instant gratification of instinct. In the words of the pop group Queen, “I want it all and I want it now.” A whole culture is being infantilised.
I've felt very comfortable on stage and love making people laugh. It's that kind of addictive thing where you get a laugh and you just want more.
There's gratification in making somebody laugh. It's a wonderful sound. I find myself, to this day, doing it, wanting to make people laugh.
To me, being able to find gratification in more venues, rather than greater gratification in a few, seems like a much more sane way of living.
Instant gratification in photography is not something that I need or desire. I find that the long, slow journey to the final print captivates me far more.
I love a good comedy, but the slapstick sitcom belly-laugh sort of comedy - the multicam thing - is not really where my interests lie. I'm very interested in single-cam, in intimate portraits. I like it when comedies have a little bit of realism and a little bit of darkness to them. It makes them more palatable and more relatable and grounded.
Instant gratification is not as good as that gratification which comes dripping slow, over the sere seasons.
I get more gratification out of getting some obese person who had a heart attack running around and enjoying life within a year. I get more gratification from that than putting a person in the Olympic Games. The Olympic athlete probably doesn't appreciate what you've done, but the other guy does. I think it's really rewarding.
I love the water more than anything. I'm not very good at sunbathing - I get really bored. I love swimming and I love being like a fish and getting in the sea and just - I don't know, it feels right.
I wrote about Freud and the process of sublimation, which is when you learn to stop breast-feeding, or stop going to the toilet whenever you want to. It's about learning to repress a desire for instant gratification. And in a repressed society, artists fulfil a sense of harking back to instant gratification, or immediate expression, by doing things that function on the edge of society, or outside of what is conventionally accepted.
I love what I do and I'm super confident in it, but I also think of myself as humble in it. It's not better than what anyone else is doing, but I'm doing the best job of being exactly who I am, and doing what I want to do today. It feels so good to me that it doesn't really matter what it means to other people because that's more about them than me. I'm in a really great place with it.
We live in a society right now which is the last phase of the ecosystem in terms of the old entertainment value, or the old entertainment construction, which is we've gone down to this instant gratification, instant numbers, instant understanding, instant. But it's like the exact - it has perfected itself to the instant click, when, in a way, creativity originates as a much more complex beast. So we now have to reinvent a new canvas where we can indulge in it. And that's where the digital revolution creates a whole new ecosystem of entertainment.
I'm perfectly happy to have the reputation as a comedian. I love comedies, I would love to be doing more comedies. But I also feel like I hit the limit on playing the girlfriend type in a lot of rom-coms that aren't actually rom-coms, but guy movies that happen to have girls in them.
The more nervous I am, and the more insane a situation is, the more I love it and get addicted to it. That's why I love playing on stage. And I kind of freak out if I don't get to do it, because it's a big part of my sanity, I think.
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