A Quote by Taylor Negron

My creativity all comes from the same place. I wear one very comfortable, large hat. — © Taylor Negron
My creativity all comes from the same place. I wear one very comfortable, large hat.
I wear tennis shoes over and over again, and my black jacket. I always try to be comfortable. It's very important to me to wear comfortable shoes, which are hard to find - beautiful and comfortable at the same time.
I wear a hat on stage so that people won't be blinded by the reflection from my head. Also, if I don't wear a hat, there's no way that the hat can be at that level by itself on the stage.
Without impending on your own personal choice, there are going to be those that wear the hat of religion and those that wear the hat of science. I still don't really understand why they can't wear both hats, because personally, I think that they go beautifully together.
The hardest thing is that I never do anything the same way twice, and when I'm on the air, I'm very unscripted, and I'm very comfortable in that role. So me being scripted is not a comfortable place for me.
Art is supposed to be about creativity. But the same people are the same art darlings every month, and it's a bit annoying. It's supposed to be diverse and interesting and conceptual and have weird concepts in a comfortable place.
I first wore a hat after seeing a friend wear a hat. It seemed like a neat way to keep snow off my head without having to wear a beanie, so I tried it on for a while. Turns out I started wearing the hat at around the time people took pictures of me and put them online and in newspapers, so it kind of became part of my public image.
I never had a hat, never wore one, but recently was given a brown suede duck-hunting hat. The moment I put it on I realized I was starved for a hat. I kept it warm by putting it on my head. I made plans to wear it especially when I was going to do any thinking. Somewhere in Virginia, I lost my hat.
I try and stay out of the sun for the most part. I wear a hat. I play golf. And I wear a hat. But I've had no problem - no major problem - but certainly no problem with skin.
The hat is not for the street: it will never be democratized. But there are certain houses that one cannot enter without a hat. And one must always wear a hat when lunching with people whom one does not know well. One appears to one's best advantage.
You do have to learn how to wear a kilt, and it's certainly very liberating and very freeing, but surprisingly very comfortable to wear, to ride a horse in a kilt. I was surprised by that.
The paparazzi were outside the theatre every single night, but we came up with a cunning ruse. I would wear the same outfit every time - a different T-shirt underneath, but I'd wear the same jacket and zip it up so they couldn't see what I was wearing underneath, and the same hat. So they could take pictures for six months, but it would look like the same day, so they became unpublishable. Which was hilarious, because there's nothing better than seeing paparazzi getting really frustrated.
When was it that people decided as a society that your body is in one place and your sexuality in another place, something like a hat, or a coat, that when you leave home you hang it and when you come back home you say, "Ah! Let's wear my sexuality! I might wear it tonight"? It is something that belongs to your body.
I mean, it feels like a homecoming in a really wonderfully comfortable place to be - the same director, the same musical director, my same dressing room! [laughs] It's a great place to build something with freedom.
When I pass my name in such large letters I blush, but at the same time instinctively raise my hat.
I don't want my hair to be ridiculous. But in Texas I do wear a hat a lot, so I probably have hat-head more than I'm aware of.
When I want to be incognito, I don't wear any hat. Unfortunately, even without the hat, they now recognise me in Paris.
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