A Quote by Taylor Schilling
It's as interesting to me as someday getting to play in some beautiful period piece where the costumes are from a completely different era. This feels as extreme as that, and that's really liberating. It's really liberating to just go 180 from what my life is like. I love that! I love not having to think about clothes. I wanted to wear a uniform when I was in high school, but I couldn't. I was like, "It would be so much easier!"
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I wanted to wear a uniform when I was in high school, but I couldn't. I was like, 'It would be so much easier!'
I wanted to wear a uniform when I was in high school, but I couldn't. I was like, "It would be so much easier!"
I was always torn between wanting whatever I pictured as a typical high school experience and that being just a part I wanted to play. I've written about this, but one of those typical high school experiences was drill team. Like, I just really wanted to wear a uniform and get on the bus and be part of this group. As an only child, the idea of blending in - and literally everyone being in sync and not standing out at all - felt like kind of a fun family thing.
I find that things don't bother me as much. If I had a bad day on set, it sort of just rolls of my back in a way that it didn't before. So that's where the biggest difference is, stuff that used to get under my skin or that I would worry about or be anxious about just isn't a problem. So in some ways, having a child has been very liberating. I found it very liberating.
I think if human beings had genuine courage, they'd wear their costumes every day of the year, not just on Halloween. Wouldn't life be more interesting that way? And now that I think about it, why the heck don't they? Who made the rule that everybody has to dress like sheep 364 days of the year? Think of all the people you'd meet if they were in costume every day. People would be so much easier to talk to - like talking to dogs.
My brother gave me some good advice. He said, "What do you want to do? Do that because there are no rules when it comes to love. There are absolutely no rules. Do what you want to do." I think that was the most liberating piece of advice, because love really is unpredictable. There's trap doors, all kinds of scary stuff, caves and bears... You never know what's going to happen so you just have to do what you feel is right in the end.
I just have so much fun playing bad girl roles. Getting to say things that in life you would never ordinarily say, there's something really liberating about that. It's fun.
I would love to do something in the thriller category. Not so much horror, but I would love to do a full-on psychological thriller. That would be really interesting. A period piece would also be fantastic.
I would think that would be really liberating to play like a real cad or a villain or something like that, and that's something I haven't gotten the chance to do a lot.
When you wear the costumes in a period drama, you already feel like a different person - the clothes make you stand differently, change your posture, the way you walk. You really have to have stamina - you have two hours in hair and makeup, and then another hour to remove all that.
When someone tells you you're not going to walk again and you spend about a year and half on your back, your clothes don't mean much. I was in a robe every day, so I gave everything away - my whole wardrobe, down to the last dress. But at some point I woke up, maybe about four or five months after having done that that, and I thought, "You know what? I really want to try to wear high heels." That's why I wanted to learn to walk. It sounded really stupid but I just wanted to see. That to me was sort of definitive to who I was. So that was my goal.
I like to be alone, I mean, I really love to be alone more than anything else, and I don't really like to talk about myself to death, and I don't like to share too much, and I don't really have dreams of extreme fame or even extreme respect.
There are so many things I'd like to do. I'd really like to be in a period piece that takes place in old New York or old Hollywood and wear those costumes and that makeup.
I think in Japan I think there is a lot of style and a lot of subcultures, but it will be interesting to see how much of them... how much of the people wearing those clothes are really expressing something about who they are or who they want to be and it will be very interesting to see, especially once you get there, once you get to a certain city like in Stockholm you really get to know the people a little bit and what they're saying through their clothes. It's more... To me I think it's much more interesting than just the clothes they're wearing or the length of the skirt.
I love people who expect me to wear great, feathery costumes- and I do it. It's like an actor getting into his costume for his part. I don't really feel that part until I'm into whatever I'm going to wear.
I love doing comedy, I really do. It was perhaps my first love. And I think, as an actor, you're young and you do school plays and the reason you go 'I might do more of this' is because you make people laugh in a school play. You don't go and do Hamlet when you're nine and go: "I feel people were really moved out there!" You do a silly voice and everyone laughs and you go: "Ooh, that feels quite nice. I might make a life out of this!"
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