A Quote by Taylor Schilling
On a film set, for me, there's so much more time to process what's going on than there is on a television set. There's more wiggle room to try things and fail and try again and get to the heart of what's going on in the scene, which is really fun for me. It's what I like to do.
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The pace is different on a film set. It's slightly slower, allowing for a little more wiggle room. Sometimes there is a bit more room to explore and work on the floor. On a TV set, you really have to be ultra-prepared and ready to deliver because time is so tight. Not that you don't have to be prepared for film.
If I fail, I try again, and again, and again. If YOU fail, are you going to try again? The human spirit can handle much worse than we realize. It matters HOW you are going to FINISH. Are you going to finish strong?
I think its going to be continually tougher on the big networks as more cable channels do really interesting television. The big networks have a choice to make: Do we try to be all things to all people and get the shows that will deliver 20 million viewers a week? Are we the McDonald's of television? Or are we going to try to be more specific?
If you think you cannot do it, you set yourself up to fail anyway. Maybe it will take one more try to do it, and that is what life is about. If you don't get it right on the first try, you try again. You keep doing it and doing it until you find success!
Usually, like, on 'Mean Girls,' the task that Tina Fey and I set for ourselves was we wanted to maintain a comic intensity throughout the movie, where people just don't really get a break from laughing. And if they do, it's for a brief emotional scene, and then we're going to once again try to knock them on their heels again with comedy.
One thing that is very different technically is that you don't get a lot of coverage in television. Not like you do on a film. I know we don't have time for separate set-ups, so I will design a scene where I'm hiding multiple cameras within that set-up. That way, if I don't have time to do five set-ups, I can do four cameras in one set-up. It's a different kind of approach for that. For the most part, a lot of television, in a visual sense, lacks time for the atmosphere and putting you in a place.
People do not mind people who try things and fail. If you're a good entrepreneur, you're not going to succeed in every single thing you try. You've got to try to succeed at more things than fail.
Even without comparing ourselves to the world's greatest, we set such high standards for ourselves that neither we nor anyone else could ever meet them-and nothing is more destructive to creativity than this. We fail to realize that mastery is not about perfection. It's about a process, a journey. The master is the one who stays on the path day after day, year after year. The master is the one who is willing to try, and fail, and try again, for as long as he or she lives.
I led the NFL in attempts the past two years and they really didn’t go out and get a quarterback to help me so I knew it’s going to be all on me again. I could see my mortality as a football player, that I’m not going to be able to do this much longer. It just became obvious to me that playing football for me is not going to be fun, not something I’m going to enjoy and it’s time for me to do something different.
People would always try and set me up, which was awkward. You can't set me up on a blind date because she will automatically know more about me.
I try to set an intent every morning and take time to think about whatever I hope to achieve that day. I've learned that there's never going to be enough time to do anything. It's never going to be a perfect day, and I'm at a point in my life where my children are more important than work. Work is still important to me though, and I love what I do.
I developed this fantasy world. I found that that was much more fun and more interesting and exciting than real life was to me. Then, once I got the guitar going when I was a teenager, I set sail for the direction I've been in my whole life.
What I love about the theatre is that it's always metaphorical. It's like going back to being a kid again, and we're all pretending in a room. Sometimes, when the pretending really works, I find it much, much more moving than something on film.
God and the universe said to me one day, "You're only going to get what's good for you." That's kind of how I try to look at things. Isn't that true, when you look back at things? "Ooh, I'm glad I didn't get that!" You get more philosophical when you get older, with the more life experiences you have. But I don't have any bad feelings towards anybody that was ever involved in any of that stuff, because I don't think that people usually set out to hurt you. I think that hurt is all manufactured by yourself and your expectations.
I always say to every actor, and to people that want to get into this industry, to just try to be on set as much as you can, try to go to acting class, and try to work on your craft because there's nothing that can prepare you, like just when you get thrown onto a set and you've got to work.
New media has made it possible for filmmakers like me to get their message out. No big Hollywood studios are needed anymore to make and release a film. More and more people are watching movies and television online than going to the movie theater because of costs. This freedom gives me the opportunity to create the film I want to be seen and heard.
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