A Quote by Taylor Sheridan
I've made up little mantras for myself, catchphrases from a screenwriting book that doesn't exist. One is 'Write the movie you'd pay to go see.' Another is 'Never let a character tell me something that the camera can show me.'
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In general, I go to see the stuff that for me is, "Thank God for that actor, he's doing something that I never imagined; thank God for this filmmaker, because if this person didn't exist, this movie wouldn't exist." That's why I go to the movies. That, to me, is what's so exciting about this movie.
For some reason, my main movie, Lady Sings the Blues, to me really isn't me. I really can let go of Diana Ross when I see the movie. I'm really objective when I'm watching it. I liked that movie so much. That movie was like magic so that when I'm looking at it I'm really not seeing myself, I'm seeing the actress. I'm seeing another person, not the me of me.
My criteria is always, 'Would I go see this movie? Is this character something I've never done? Who is the director? Do they inspire me?'
Any movie I've done, my character has had a secret. Whether it's in the movie or not, it is usually never and it's usually not something I tell anybody. It is for me.
I'm fortunate enough to act in a TV show that makes me a lot of money so I can pay for my own movies. I don't have to wait for anybody and that's more of what I like doing. But I still think that you don't have to be connected in the industry to make your movie. You just have to write something that is meant to be made cheaply.
He gave me a look at myself I've never had before. He saw something in me nobody else ever did. He made me see it too. He made me believe it.
It makes it easier, if you can't do an American accent. I don't know. It's different. I played a character in Never Let Me Go where the script for my character was very sparse, and I enjoyed it. With Never Let Me Go, I had a whole book written from my character's point of view, so I always knew where I was. But, with Ryan [Gosling], it was just easy. He's such a brilliant actor and he is so prepared. He doesn't have to warm himself up to be in a scene. He's just in it. It draws you in, in a way.
The reporter claimed he was going to write the article from my point of view. Instead, he made me sound like a little idiot. It made me never want to do another interview again.
I'm a representative of something that's greater than myself. When you see me out there on the track, I'm not just representing myself or my country, I'm representing Christ and what He's done through me. I have a responsibility to show His love and show others what He's done for me. It's also freed me up.
Although I use myself in my videos, I really see myself as a character. When I look at myself, when I sit and edit, I never think, "That's me." I think, "This is a character, and how do I edit this to tell a story?"
When I write and develop things myself, I might work for a while on a script from a book, and then I go back and read the book and go back into it to see if I lost something: is there something there?
Getting a book published made me feel a little bit sad. I felt driven by the need to write a book, rather than the need to write. I needed to figure out what was important to me as a writer.
Getting a book published made me feel a little bit sad... I felt driven by the need to write a book, rather than the need to write. I needed to figure out what was important to me as a writer.
I would never tell myself, you have to write 20 pages today or something. But I do try to show up. Read what I wrote, fix things.
I never know what something is going to be until it emerges from the womb and you see the crown of its head and then you see it pushing its way up. So in my life if another book wants to be born it's not for me to choose.
I notice that I only publish once every four years. It takes a couple of years to write a book and then, for me, for one reason or another, it usually takes about a year of sort of dicking around before I start up. I write a review or little magazine pieces and touring with the other book. But mainly it's just you're not ready, I'm not ready to start another. You're just not up for it.
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