A Quote by Taylor Sheridan

I'm not the guy to ask to write a sequel. — © Taylor Sheridan
I'm not the guy to ask to write a sequel.

Quote Topics

Many years ago, I was actually hired to write the sequel to 'Independence Day.' And I wrote a sequel. And they paid me a boatload of money to go write this thing. And after I wrote it, I read it and I gave them back the money and I said, 'Look, this is an okay movie I just wrote. But it's not worthy of the sequel to 'Independence Day.'
Now that I understand how publishing schedules work, I can understand why many authors have the sophomore slump. A year is a long time to wait for a sequel, but it's a short, short time to WRITE a sequel.
People will turn their noses up at a sequel or that type of thing, but Pixar really works hard - if they're making a sequel - to make a sequel an original movie, to make it an original story.
For us the acceptance of audience is important, we won't keep making sequel after sequel just for the heck of it.
A sequel is going to be a pressure no matter who directs it. A sequel is only made when the original film works.
I don't write any kind of sequel or remake.
And I plan to write a sequel to Dragon Rider.
It's an unusual way to write a crime novel, to have these lingering, fairly large story points, but it's something I knew I had to do if I wanted to write a sequel...but, you know, people still have to read and enjoy this book, or it's a moot point.
I will never write a sequel to anything that I will ever write.
I am writing a sequel to The Touch because I want to further explore the Chinese question that I have raised. There will be more about that in a sequel.
I'm an everyday guy - I'm a try-to-write-at-least-15-minutes-every-day-if-not-an-hour-or-two kind of guy. I write in Google docs so that wherever you go, you have access to it.
I'm like the king of the low-budget sequel. People ask, 'What film are you gonna do next?' 'I don't know, but it's probably got a 3 or 4 in the title.'
If I were to write a sequel to 'Lean In' for men, I would call it 'Make Room.'
'Celebrate' is meant to be a guide to party planning and, as such, it has to cover the basics. If I were to write a cookery book, for instance, I would be compelled to say that, to make an omelette, you have to break at least one egg. Actually, that's not a bad idea. Or maybe I should write a sequel and call it 'Bottoms Up?'
Even if it's a sequel, lots of people have to give their all to make a game, but some people think the sequel process happens naturally.
I cannot explain why they made that sequel to Secret of NIMH. Because they claim that it the original didn't make money, so what was the enthusiasm to make a sequel?
This site uses cookies to ensure you get the best experience. More info...
Got it!