A Quote by Taylor Swift

Band-Aids don't fix bullet holes. You say sorry just for show. You live like that, you live with ghosts. — © Taylor Swift
Band-Aids don't fix bullet holes. You say sorry just for show. You live like that, you live with ghosts.
You say: 'Oh, please forgive' You say: 'Oh, live and let live.' But sorry doesn't help us. Sorry will not save us. Sorry is just a word you find so easy to say (so you say it anyway). Sorry doesn't help us. Sorry won't protect us. Sorry won't undo all the good gone wrong.
Thanks, but that's not going to fix anything. It's like putting a Band-Aid on a bullet wound.
They chatter together like birds on Cypress Hill, but all they say is 'Live, live, live, live, live!' It's all they've learned, it's the only advice they can give.
When I go to a live show, I want to be moved. That's why you do it. And it's not very often that a band will move you live.
I don't understand people who just live to exist, live to be OK. Live to be regular, live to be average. It doesn't make any sense to me. I live to be the best. I don't live to be good. You only get one life, and I live to be great. I live to be special.
Sorry wastes time. You have to live your life like you'll never be sorry. It's easier just to do the right thing from the start so there's nothing to apologize for.
Writers aren't like plumbers. If you're a plumber, you fix one person's boiler in the morning, then you go and fix another in the afternoon. I didn't want to write a book unless I had something new to say - and it was good to live a little in between.
I wouldn't say that I'm a consummate live artist. Album work is kind of just like quilt weaving or something. But live music is just like a method of emptying out the mind through volume. Volume as a form that allows you to do different things. And that doesn't really translate to recorded music, like how do you listen to that, on Spotify or in your car? It's not the same kind of effect. I would say that the loudness is a huge part of what I do live.
There's a lot of discussion about whether you should be a good live band or a good studio band. I think you can use the studio to make a great "studio record" and not necessarily have to reproduce exactly that on stage, but still be a great "live band." Having said that, if what you're going for is just the raw capture of your live sound, then that's cool, too - go for it! I enjoy working in the studio, though, and while I try to get near to an approximation of what's going on onstage, it's not my first priority usually.
You're in for a live band. That's really what I wanted; I wanted to put on a show for people where they could come for the gay and stay for the musicianship. It's a live show; there's some rock stuff, too. Some rock and roll. Get ready.
I just live my life how I live as a person. I certainly am not, like, a saint or an angel by any means. I'm not anything like that. But I live just how I live. I mean, I have a little paranoia, but that's about it.
The Dave Clark Five was basically a live band. During '63 we got the Gold Cup for being the best live band in Britain.
Sorry, there´s no magic bullet. You gotta eat healthy and live healthy to be healthy and look healthy. End of story.
Live while you live, the epicure would say, And seize the pleasures of the present day; Live while you live the sacred preacher cries, And give to God each moment as it flies. Lord, in my views let both united be; I live to pleasure when I live to thee.
Unless the clients want, I don't like to have dancers for my shows. I prefer a rock show look and like performing with a live band.
I was a Green Day guy because the first DVD I bought was Green Day's 'Bullet In A Bible,' the live album. That really empowered me to be not just a drummer but a performer. It's a really crucial part of why I wanted to be in a band.
This site uses cookies to ensure you get the best experience. More info...
Got it!