A Quote by Taylor Swift
When I'm 40 and nobody wants to see me in a sparkly dress anymore, I'll be, like: 'Cool, I'll just go in the studio and write songs for kids.'
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When I'm 40 and nobody wants to see me in a sparkly dress anymore, I'll be like: 'Cool, I'll just go in the studio and write songs for kids.'
Most songs I write are spur-of-the-moment-type things. I have to be spontaneous. If not, songwriting can bore me. There is no pre-design or idea of what I am going to do when I go into the studio. It's all like that for me. I could go in and write two or three songs in an eight-hour session. You can't over-think songs. You just can't.
Living in a zoo means it wasn't always sparkly dresses, but I would still dress up. I had this pink sparkly dress and fairy wings, and I'd put those on and then go and dance in the zoo.
Can't nobody do what Fetty Wap does. So when I go to the studio, it may be four to five hours max, probably three days out the week. I used to go to the studio for 10 to 15 hours, and I would do five to 10 songs. Now I go for four to five hours and I do, like, 15 to 20 songs. I'm an ad lib guy. Most people know me for my ad libs.
I've been training fighters about 10 years. And I know I get the kids that nobody else is gonna want. I get kids who violated probation five, six, seven times. Their parents don't want 'em, the police don't want 'em - nobody wants 'em. And so I say, okay, I was like that. Nobody wanted me. Once I found out that a nobody could do what I did, I took a whole bunch of nobodies. When you take a nobody, they're open to anything, so that's what I started working with. I started working with the worst kids that nobody else wants to deal with.
I don't want to do children's music. I write kids songs, but the kids songs I write are for my kids - like when I'm putting them to bed. We sing some song that we made up but I don't want to make a record like that.
The world has changed a lot since I started making records.I used to go into a studio and there were songs there, chosen for me to see if I liked them. I wasn't encouraged to write.
When I tried to get 'Stargate' made, I took it to every studio in Hollywood and every studio said, 'Sci-fi is dead. It's a dead genre. No one wants to see science fiction anymore.' And I had to go and raise the money independently to make that movie.
I kind of miss writing songs the way that I used to write songs, in the sense that I would just sit down, and all these words that told a story would come out. There's one Bon Iver song called 'Blood Bank' that is more representative of an older lineage of songs, which I like and I sort of miss. But it just doesn't happen anymore for me.
I didn't connect with the kids. I was in the studio. I never saw the kids. I hoped they liked it, of course. And then I'd go write some more. And then I'd go buy me a home. Very American.
It's what I do. I don't deserve any awards for this, it's just music. It's just writing songs. You sit down, you write a song, you record it. You tour and play the songs live, dress them up a bit differently, or dress them down.
We all just meet up and someone's house or the studio and we'll just jam and we'll lock into something that sounds cool. I'll go home with tracks of cool parts and work on words. Everyone in the band has a job to do and everyone knows their job and we all do it really well. So, when we're writing, we can just look at one another and say, 'OK, go write this part'. It's not just one person writing or producing everything - everyone's working to product what we have.
Maybe I feel like I'm writing songs that don't need to be saved or made more interesting by endless overdubs and studio tricks...maybe - remember, where I am with songwriting I have never been before - sparkly guitars and overdubs I've done (and will do again - see instrumental record in above answer)
I don't write songs for myself anymore. I only write songs on assignment. It's purely a business, but it is still so important to me emotionally.
When you're younger, everyone wants to be a point guard. Everyone wants to shoot fadeaway jump shots all day. Nobody wants to be a big man. Nobody wants to go stand on the block and just set picks.
Nobody dressed like my dad. When he worked at the bank, he looked like Richard Gere in Gigolo. And he would do it all the night before, laying out the suit he'd wear the next day. Even on weekends, if he had to go into the office, he'd wear a trouser pant with a V-neck sweater and tie. And I was like, I want to dress like that! He was just so cool.
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