A Quote by Taylor Swift
Lady gagas "hair" is my theme song.
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When you look at the Lady Gagas of the world, or the Jay-Zs, or the Black Eyed Peas, these are people who have one album release and it's a worldwide one.
Then a friend of Jim's suggested we make a theme song to explain the story, and this is where the Mads came from. Josh and I wrote it into the theme song.
I would love to do a Bond song, and I could have done a Bond song: I was offered a Bond theme, but I turned it down because I didn't like the song. But as it turned out, I was right anyway because the song was the only Bond theme that never became a hit, so I'm glad I wasn't associated with that!
The reason that Shaft has a dominant theme song is because James Bond has a dominant theme song.
When we did the 'Titanic' theme, that song was everywhere. At the time we did it, it wasn't an old song. We didn't really listen to that song. We're not fans of the song. It was more about taking the song everyone knew and making it sound like a New Found Glory track.
My whole point is like, well, if I'm the pop star, then it should be whatever I am. There's, you know, room for Katy Perrys and Adeles and Rihannas and Lady Gagas and Ke$has and me and Pinks. I think what's great about all of us is that we represent something different.
When I'm writing a theme song for a TV show I always think, "What would be Pavlovian where a kid would be in the kitchen, or an adult would be in the kitchen, and they hear the theme song come on and it would draw them back to the other room so that they would watch the show?"
I'm working for a woman, not a lady. What I hate the most is that "lady" talk. You know, when I read a review, "The lady wears a Bottega Veneta. . . ." What lady? It's the same girls who are walking the runway an hour later elsewhere. But probably it is just the sophistication in our material, the nuance of the color, or the quality of the makeup or the hair that make people think that way. Most people just don't understand simplicity.
Every true writer is like a bird; he repeats the same song, the same theme, all his life. For me, this theme as always been revolt.
A song like 'Tears Dry on Their Own' is really sad, but it's hopeful, too - that was my theme song for the first boy who broke my heart.
The song How do you like me now? By Toby Keith will be my personal theme song when I attend my first high school reunion.
Besides my fast and slooow songs, I further divide my work into three main song types: the ballad or story song, the variation on a theme (saying the same thing over and over and over again) song, and the weird song. It's important to have weird songs, but I find that a little weirdness goes a long way.
She's as fetching as brown hair done up with ribbons blue The mountain, my lady She's as sweet as pink flowers made bright with morning dew, Mount Eskel, my lady
I love to keep my hair long, and I think every lady should have long hair. After all, it looks so feminine and beautiful.
Snap. Lady with dog. Lady on sofa half-naked. Snap. Naked lady. Lady next to dresser. Lady at window. Snap. Lady on balcony sunlight. (On New Orleans photographer E. J. Bellocq)
I have struggled for decades now with the fear of and resistance to change - mostly in the realms of technology, transportation, and the ways people choose to communicate. If I had a theme song, it would be that lovely song 'I'm Old-Fashioned,' as sung by Ella Fitzgerald.
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