A Quote by Taylor Swift

I'm never in the same place for more than, like, three days at a time. Things can change from one minute to the next. — © Taylor Swift
I'm never in the same place for more than, like, three days at a time. Things can change from one minute to the next.
Entire years had passed when he was rich enough in time to disregard the loose change of a minute, but now he obsessed over each one, this minute, the next minute, the one following, all of which were different terms for the same illusion.
Nevermore," Lolli said. "That's what Luis calls it, because there are three rules: Never more than once a day, never more than a pinch at a time, and never more than two days in a row.
In the 84 days after Beijing I had, on average, three things a day and one day off. I didn't sleep in the same bed for more than two nights in a row. It sounds a bit pathetic but it was exhausting - it was like really intensive training with no rest days.
It's both a blessing and a curse. It's great having that goal and never settling, but at the same time I am rarely satisfied with things. I usually walk off stage thinking I can do better next time, it has to be more, more, more. Sometimes you have to just sit down and be like, "I'm in New York right now doing what I love." Look at all these things - I won a EMA last week.
I feel I have lived my whole life, day to day, without planning anything and I like it that way. Things change so fast, one minute you are here, the next minute you are on a plane, it's great fun.
There are only three reasons to do a movie: the cast, the director, the role. Like I say, you live in a minute of screen time, but to prepare for the minute takes much more than a day. You'd better be excited about what those moments are, even if they're the hardest moments. Or the smallest.
One minute you're closer to someone than anyone in the whole world, next minute they need only to say the words 'time apart', 'serious talk' or 'maybe you...' and you're never going to see them again and will have to spend the next six months having imaginary conversations in which they beg to come back, and bursting into tears at the sight of their toothbrush.
Hollywood is a strange place. The class structure here is more rigid than almost anyplace I've ever experienced. It's made more difficult by the fact that it's constantly changing. You never know what class you belong to unless you're one of the two or three people that have been in the same echelon for a long, long time.
There is nothing that you can do to change the present moment. It simply is. You may be able to change the situation one second, one minute, one hour, or one day from now, but there's absolutely nothing you can do to change the way things are right here and now. By not getting irritated you will be more effective in doing what needs to be done to change the situation for the next moment.
Being in the wrestling business, it was a whole lot to deal with in a short amount of time. I went from amateur wrestling one minute to, the next minute, I'm traveling the world, and I'm on the road 250 days a year.
I never worked on different films at the same time. I made one by one. I never made two or three films together. This is impossible! I only have one head. It is impossible for me to think about two films at the same time. There are a lot of these legends about me, and I don't know why. I'm not a legendary man. But the people all the time say I make three films at the same time, and it's not true. Don't believe these kinds of things.
Lose the day loitering, 'twill be the same story To-morrow, and the next more dilatory, For indecision brings its own delays, And days are lost lamenting o'er lost days. Are you in earnest? Seize this very minute! What you can do, or think you can, begin it! Only engage, and then the mind grows heated; Begin it, and the work will be completed.
I like making mini-movies rather than just three-minute, place-the-champagne-here-for-sponsorship videos.
One year Halloween came on October 24, three hours after midnight. At that time, James Nightshade of 97 Oak Street was thirteen years, eleven months, twenty-three days old. Next door, William Halloway was thirteen years, eleven months, and twenty-four days old. Both touched toward fourteen; it almost trembled in their hands. And that was the October week when they grew up overnight, and were never so young any more.
I'm getting so old - it's more uncomfortable to do those scenes now than when I was 20. I mean, I don't have a big problem with nudity on screen. But usually the days when you do those naked love scenes are the weirdest ones on set. Everyone is uncomfortable. You're like, 'Hi. How are you?' Then the next minute you're with an actress who you don't know and you're pretending to make love to her in front of all the crew. The acting challenge is pretending things are OK.
Maybe a hundred years ago our people should have run away from this place, I said... And then run from the next place and the next place and the place after that? You run once, what makes you think you won't have to run all the rest of your life?... We love moment to moment... Everything changes. One minute we are part of the river, and the next we are joined with the sea.
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