A Quote by Taylor Swift

When you walk out onstage in front of 65,000 people, it can bring you to tears. — © Taylor Swift
When you walk out onstage in front of 65,000 people, it can bring you to tears.
I love to write honest songs that name real people, then get up onstage and live out those emotions in front of 15,000 people.
When you walk out in front of an audience of over 70,000 people, you've got to be on your game. They deserve it.
The day that you walk out in front of 30,000 people and don't get nervous is probably the day to give it up. It's inspiring to be a little terrified.
I was in Toronto when the big Women's March was going on, and I thought, 'Well, I've never been to a protest, and I can't sit this one out, and they're having a gathering here in Toronto, so I may as well go,' and gosh, I didn't expect 60,000 or 65,000 people to be there - it was huge! It was something that I didn't feel I could sit out at all.
I'm the most mellow person offstage. I think it's just, going onstage lets me get out some frustration that I'm too shy to do in real life. Instead of doing it in private, I'd rather do it in front of 1,000 people who've paid $25 to see me lose my mind.
When onstage, I always try to take my audience through as many emotions as I possibly can. I want them to go from laughter to tears, be shocked and surprised and walk out the door with a renewed sense of themselves - and maybe a smile.
I thrive on being on the road, waking up in a different place every day and having my life revolve around music. When you walk out in front of 300,000 people and pull it off, it validates you.
Playing regular first-team football is a massive carrot as I have been in the reserves for two or three years. I'm used to playing in front of two or three hundred people and now I could be running out in front of 40,000 or 50,000.
TV's not the same buzz. If someone tells you three million people watched the show last week, that's good but, when you walk out in front of 1,000, you think, 'Oh my God, this had better be good'.
It doesn't matter where we are. We can be marching down the streets of New Orleans, or we can be onstage in front of 15,000 people. As long as I know that I'm about to put my horn to my mouth and play some notes, that's what I most look forward to.
One day you look out and the audience consists of 65,000 people. It's like looking in the mirror and one day you realise you've gone grey.
At first, I was playing in front of 10 people in a park, then 1,000, then 10,000, then 80,000 and you are on television. I have done it step by step, so it is not a problem. There is no lack of confidence to be on the field, in front of many, many people.
I bombed in front of 5,000 people. Anybody that's ever stood in front of 5,000 people that don't like them can tell you, it's an energy associated with that. You don't want to feel that. You ask yourself, 'Do you really really want to do this?'
It's not about me. It's about what I'm doing for kids. When I walk out onstage, there's 15,000 kids that, to me, represent potential.
I'm much more comfortable and confident running out on the field in front of 70,000 people instead of standing in front of a camera trying to say some lines.
I'm much more comfortable and confident running out on the field in front of 70,000 people instead of standing in front of a camera trying to say some lines. The people who do that as a profession are very talented because it's certainly not easy.
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