A Quote by Taylor Swift
I leave the genre labeling to other people. I really do. If I were to think too hard about it, that would stifle you creatively. If you think too hard about who other people want you to be as an artist, it stops you from being who you want to be as an artist.
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When I write stuff that's provocative, I want people to think about that, too. I'm in between a pop musician and an artist in that way. I want people to be part of the music as they listen, but I also want them to think: What was that?
I'm not looking to be the greatest pop star of all time. I want to be an artist. I want to influence people and I want to get people to think about the world, to think and talk to each other and connect. To challenge one another.
It's not about pop culture, and it's not about fooling people, and it's not about convincing people that they want something they don't. We figure out what we want. And I think we're pretty good at having the right discipline to think through whether a lot of other people are going to want it, too. That's what we get paid to do.
I don't have to worry about what people are thinking and what's going on in the industry. I don't want that stuff to influence what I'm doing. Because I think it stifles you creatively. I don't want to have to care too much about that. All I care about is what the fans think. It's really all I care about, honestly.
Record companies don't think creatively about what something could possibly be because they are not filled with creative people. Nobody's looking at the future of music because they're concentrating so hard on what they can get from it right this second. It's really hard to see an artist; it's a lot easier to see money.
When I was setting out to be an artist, I said: If I can just produce one work that some people think is good, if I can become an obscure cult artist, that's all I want. Well, I attained that. I'm an obscure cult artist, and I think now, Why didn't I say I want to be another Picasso or something? What other options were open to me? But I was convinced I couldn't achieve great things because I don't have a steady-state mind.
I started blogging because I didn't know if I wanted to be an artist. I wanted to talk to other people online who were doing art, so I would post work and ask for feedback. I loved that an artist like James Jean would show his process on his blog. It became this open dialogue that, unfortunately, we don't have a lot in the fine-art world. People will say, "Wow, you share a lot." I'm like, "No, I make it a point to." Instagram is a great place for people to share failure. I don't want people to think that being an artist is some glamorous life.
I've been trying to immerse myself in the narratives of other people. I try to not isolate myself as much. It is really hard. People that are sensitive, you just feel too porous sometimes. There's this inertia that sets in, and it's hard to get out of bed. I think knowing that other people go through it is really reassuring.
The contrafactual history is what it would have been the other way. Think of the Kennedy triumph in the missiles crisis. Worked out fine. Khrushchev blinked and so forth. The other road, you don't want to think too hard about. You could have had nuclear missiles wiping out a tenth of the globe.
To be a champion, I think you have to see the big picture. It's not about winning and losing; it's about every day hard work and about thriving on a challenge. It's about embracing the pain that you'll experience at the end of a race and not being afraid. I think people think too hard and get afraid of a certain challenge.
I really think people are greatly stimulated and enriched by experiencing in film just as we can from novels and other art, experiencing things that resonate with what our lives are about. I think people really want to know... want to share, want to have the stimulus to think and care about the way they live their lives, the way they relate to other people, their aspirations, their hopes, et cetera.
I don't want to bore people with stories about being in rock n' roll and being a mother. Other singers do it. I can, too. I just do what I have to do. It's not that hard. It's just different.
Conversations about films are always funny. I would say a majority of people want to talk about what were the more obvious successes; the big box office films. Other people wanting to be more sensitive to you want to talk about the ones that maybe didn't make a lot of money, but they think you might have a special feeling about. And then other people sometimes want to help you by suggesting that you should have done this or that in the movie, that that would have helped you a great deal in whatever capacity.
Over and over again in my life, I find closeness to other people and proximity to other people really painful; that's part of my mental illness, social anxiety. Closeness to other people is really hard, but it's also a shame because it's all you want too. But it doesn't always work.
You really see that the art world bends over for Hollywood sometimes, in this way that is really grotesque, and the other way around doesn't happen, which is too bad, especially if you consider yourself an artist, and that's what you care about, to see the people you admire and think about the most acting weird.
I think it's part of how people relate to Fleetwood Mac. In many ways, we've been too open and too truthful about stuff that is really none of anyone's business. I think we were quite naive in the way we related a lot of that truth to people other than ourselves.
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