A Quote by T.C. Boyle
The hardest part is always the middle of anything because at that point, on some unconscious level, you have to figure out what it's about and why you're doing it and what it means. You don't know that in the beginning.
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Everybody can write a beginning and an ending, but to actually define that middle point where everything will go from professional to person, where everything will change, is always the hardest part, because it can very easily be too constructed, too artificial.
I don't like plots. I don't know what a plot means. I can't stand the idea of anything that starts in the beginning - you know, 'beginning, middle and end.'
Because You have called me here not to wear a label by which I can recognize myself and place myself in some kind of a category. You do not want me to be thinking about what I am, but about what You are. Or rather, You do not even want me to be thinking about anything much: for You would raise me above the level of thought. And if I am always trying to figure out what I am and where I am and why I am, how will that work be done?
If I were writing about Picasso and pointed out that he painted women because he was interested in the female form, that would seem like an obvious point. I don't know why people revolt when I point out that Rockwell painted the male figure and was interested in it.
I got off Twitter, because I started feeling like it was not adding anything positive into my life. If anything, it was more negative. But now I'm back on it because it can be fun. I think, as an actor and a public figure, it's a different experience when you put yourself out there in that way. I think it can be a great tool, and that part I'm comfortable with. But the part that's kind of more personal, that part I'm still struggling with, because I don't really want people to know everything about me.
She laughed softly. "Therapy isn't so much about what I think as you do." "Then why do it at all?" "Because we don't always know what it is we're thinking or feeling. When you have a guide, it's easier to figure things out. You'll often discover that you already know what to do. I can help you ask questions and go places you mihgt not have on your own." "Well, you're good at the qujestion part." I noted dryly.
When I set out to write a screenplay, I have in my mind a beginning and an end but that end part continually changes as I start to write the middle. That way by the time the screenplay is finished I have taken myself and my audience from a familiar beginning point through the story to an unfamiliar ending point.
I listened for the voice I knew so well, the one I always heard at the beginning. Good girl, Macy! You're doing great! You know the first steps are the hardest part! They were. Sometimes I felt so out of sync, it was all could do not to quit after a few strides. But I kept on, as I did now. I had to, to get to the next part, this part, where I finally caught up with Wes, my shadow aligning itself with his, an dhe turned to look at me, pushing his hair our of his eyes.
I think the only way you can get something out is to invest some real emotion into it, which means you're already writing about what's going to happen to you, whether you know it or not. That's why I'm always surprised when people talk about writer's block. Because to me, it can't be stopped.
I got singled out. I don't know why. Why do people always target me? Is it because I'm short and they figure I can't fight back? They're right, I can't, but it's not because I'm vertically challenged.
Moral virtue is a mean . . . between two vices, one of excess and the other of defect; . . . it is such a mean because it aims at hitting the middle point in feelings and in actions. This is why it is a hard task to be good, for it is hard to find the middle point in anything.
The beginning of a book is always the hardest part for me. I'm a Chapter 3 kind of writer, which means I naturally start at Chapter 3.
I was never drawn just into fashion. I was drawn into it because I am really interested in serving women and providing women with solutions, trying to figure out what we need and why we need that and why we wear stuff, how it makes us feel. That was always my starting point, you know.
I went back and listened to the first three albums I made and tried to figure out what was special about them, why people keep going back to them. I think it was because I didn't know what I was doing. I had no idea if they were going to play it on the radio or anything. All I did was write songs, so that's what I got back to.
The point is... you'd better figure out what your Customers - the Customers you want - value. Because that's what they'll buy. Anything else is a waste of their money, and they'll figure that out in a hurry.
I always resist seeing my own personal motivation in my work, but I guess it must be there on some level. And I do feel very much that my life follows the kinds of things I talk about in my books. I've always thought of myself as an insanely lucky person, so perhaps the success of my first two books led me to want to examine this phenomenon on some unconscious level.
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