A Quote by Tecia Torres

To represent the Latin American people - especially Latin American women... there's not many of us fighting. To be one of the ones that are able to set a precedent and to fight in Mexico is really amazing.
Mexico City is the center of art and culture and politics and has been and continues to be for Latin America in a way that I think really called to me as an artistic person, as someone that was interested in the politics of Latin America, you know. God, every single famous person in Latin American history and art and politics seems to have found their way to Mexico City.
Livin' la Vida Loca' is not Latin music. It does not represent Latin music what Jennifer Lopez put out. It's not Latin music. What Enrique Iglesias, it's not Latin music, no? It's Latin artists. There's a Latin artist doing it you could say.
They didn't need to be specifically South American or Latin American. Instead we discovered we were talking about human beings in general. We realized that these are not issues only pertinent to Latin America: poverty, misery, consumerism, etc.
Latin American Art is an operational term used to describe art actually made in the more than twenty countries that make up Latin America and that encompass Mexico, Central and South America, and the Caribbean.
I think I'm an American writer writing about Latin America, and I'm a Latin American writer who happens to write in English.
I'm a writer. In Latin America, they say I'm a Latin-American writer because I also write in Spanish and my books are translated, but I am an American citizen and my books are published here, so I'm also an American writer.
The most important thing Paris gave me was a perspective on Latin America. It taught me the differences between Latin America and Europe and among the Latin American countries themselves through the Latins I met there.
I'm kind of iffy on the Latin Grammys because I think we fought so hard, for example, to get the American side of the Grammys to open categories for us... But I support the Latin Grammys in the sense I'm glad that we have them.
I don't think it's my responsibility, but I definitely try to create my own projects that are Latin-based with a Latin crew and Latin cast. I try to give all my characters Latin names whenever I can and make sure that they are of Latin heritage. But that does not work with every project.
We are developing in the United States a huge underclass of unwanted people, many of them the descendants of the exploitation of the South American and Latin American countries by American piratical capitalism. Not all capitalism is piratical, but some of it certainly is. And we have a fantastic gap beginning to exist between rich and poor.
I was the first person to come into New York with a Latin American point of view which was also very much influenced by political happenings in Latin America.
Panama's a really wonderful country. There's obviously the Panama Canal, which brings a lot of tourism, and a huge American influence; it's just a mix of so many great things: African, Caribbean, Latin American Spanish, all kinds of influences there.
The fascists in most Latin American countries tell the people that the reason their wages will not buy as much in the way of goods is because of Yankee imperialism. The fascists in Latin America learn to speak and act like natives.
I think in terms of the themes that I have worked on most is establishing questions of race in the context of Latin America. This is a theme that makes uncomfortable a lot of people, and it obviously makes the Latin American Left uncomfortable.
No, I had no problem communicating with Latin American heads of state - though now I do wish I had paid more attention to Latin when I was in high school.
I'd love to do some collabs or music with Latin artists and in Latin America - we're working on it! I just really love Latin America and the language, culture, foods, people, and it's a place I grew up visiting pretty often.
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