A Quote by Ted Alexandro
I've seen people who are not very likeable but hilarious. I think comedians get to a point where they know they're funny, so they don't care - in the sense that they know what they're doing. They have a skill.
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I don't know if people really care about my opinion on things or how I come up with things, and maybe that's an insecurity and why we're comedians in the first place, so I think with that you keep doing the material, you keep trying to be funny cause you think that's all you're wanted for.
I think people imitate actors - things they've seen in a movie or on TV, and before you know it, they're doing something with their face or their mouth. It's from some actor they think is cool. They might not even know they're doing it, which is kind of funny.
Why do all these people want [comedians] to be serious? The reason they want that is these are people who aren't funny. Anybody funny can be serious, but people who have no sense of humor, they can never be funny - and frankly, they're jealous. There's very few comic actors. Think about it. There aren't that many. It's hard because you have to be able to do both.
Writing is the great skill, the creative skill. The acting is more an interpretative skill. And the thrill for me is the moment when I think of something. And then the challenge is how to get that funny idea to work in terms of the structure and that kind of thing, which is - and that's what I really love doing.
I think, as a comedian, the funniest you can be is with people you know, and [whom] you've known for years, in a pub. That's as funny as you get, and so the aim [while stand-up] is to get that funny on stage with 5,000 strangers, to get that funny in a room where people shouldn't be listening but they are.
Snoop Dogg is hilarious. T.I. is really funny. Who else? 50 Cent is hilarious. Jay-Z is funny. I've met him, but he's funny in interviews. He was funny when I saw him, too. Ludacris is funny. Everybody is. Rappers are funny, a lot of them.
I don't know if you know you're funny, but you enjoy being funny. I know I'm funny because people tell me I am, but when I watch myself, it doesn't make me laugh. Does that make sense? Because I know the jokes, and to me, I feel like I'm pulling the wool over people's eyes. And there are probably people who do not enjoy what I do.
I care about the people I know and love the most, but I also care about what the people I don't know think in the sense that I want them to think and understand me in a certain way. I don't base my life around either one, and I don't change the way I live to please either set of people, but I do care.
You know, Lincoln was funny. I don't think F.D.R. was very funny. But Lincoln was funny. Lincoln was really funny. But I think you should get elected first, and then show that you're funny.
Dana Carvey is hilarious. He's a really, really funny, talented guy. You know, I can't think of anything I've ever done that I regret doing, and I certainly don't regret doing Master Of Disguise, because I got to hang around Dana.
That's a very nice, generic-sounding question: "When did you know you were funny?" But it pre-supposes that I think I'm really hilarious. So that's kind of a loaded question.
I think stutterers are funny. And I know it's rude and politically incorrect to laugh at stutterers. But I think it is okay because I know why they're funny. They make people nervous. People think, when on earth are they going to get the word out, so they start laughing out of their own nervousness.
I came upon whatever I'm doing organically. I didn't study anything. I don't have any real aspirations other than to connect with somebody, and to have the conversation be genuine. That's the best that can happen. Even if it only happens for 10 minutes in an episode. But I think what people forget is that you don't have to try to get a comedian to be funny. Comedians are innately funny. That the real challenge of talking to them is to get them talking about real things and then see where they need to be funny. And let them do that on their own volition.
I'm a very private person, so obviously I don't enjoy talking about more personal matters. But at the same time I care very much about my work and I would like people to know that it exists. So I appreciate that there's a meeting point, where I would like people to know about the work that I'm doing, and that requires me to talk about it.
I don't really know. I think the first test is when you're very little and you fart, and you laugh at it and so do your friends and family. I knew before I was funny I was very annoying so I have that covered. I think it was because I was not very good in school I used humor as a defense mechanism. When I started doing plays and stuff at school I decided that I was going to keep doing it until someone tells me to stop and get a real job.
I always tell people that I have never ever gone dancing in my life. But that's the point. It's the point of dreaming of doing it, imagining doing it. My music is like a fantasy version of it, not a practical version of it. With the way a club DJ would make a track - they are in the club, they know how to get people excited. I don't know how to get people excited. I'm just imagining euphoria; I'm not necessarily feeling it.
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