A Quote by Ted Alexandro

That heightened dynamic can produce interesting, funny ideas that are phrased in ways that surprise even you, as the performer. — © Ted Alexandro
That heightened dynamic can produce interesting, funny ideas that are phrased in ways that surprise even you, as the performer.
The idea of surprise is part of what makes something funny, or what gets a reaction. At least when I'm an audience member, after you hear a joke so many times it's not as funny because it loses its surprise or its twist. So I think funny has to do with surprise.
I'm just interested in all of the different ways that a woman can be. We don't have enough, when it comes to American film, that shows all of the different complexities and ways that a woman is interesting and mysterious and dynamic and really complicated.
Most ideas that are successful are ludicrously simple. Successful ideas generally have the appearance of simplicity because they seem inevitable. In terms of idea the artist is free to even surprise himself. Ideas are discovered by intuition.
It's really quite an interesting dynamic. I wanted to play to the truth of who Manute was in the first film, while it's also a prequel and the originator [of the story]. It was an interesting dynamic to work with, definitely. I haven't seen the film yet, but the way it felt when I was doing it, it felt like it worked.
It's a great dynamic. The dynamic between men and women in the workplace is really interesting.
Produce as many ideas as possible. Try to produce unlikely ideas.
There is an interesting and new way to be excited about the fashion world today maybe. The traditional path of fashion as simple magazine images has dissolved - we are seeing new and innovative ways to share, create, and enjoy ideas. I am challenged to learn and explore paths of finding new photographers, stylists, and vision-makers online or through direct contact, connecting with ideas and creativity in new ways, and making images with different outlets. Sometimes more unbridled avenues and unconventional ways lead to things I wouldn't have thought of yet.
I didn't want to admit that I was a performer. A performer meant spotlights - a performer had connotations of theater. I would have preferred agent to performer.
I think I was born with a natural way of looking at something and trying to find the ways in which it was odd or funny, Even in the sad or angry stuff, I was, 'Well, but where is the funny part of this?'
Unfamiliarity lends weight to misfortune, and there was never a man whose grief was not heightened by surprise.
Humor has to surprise us; otherwise, it isn't funny. It's a death knell for a writer to be labeled a humorist because then it's not a surprise anymore.
I stand by everything I said. I absolutely can defend my material, and I take issue with people who say, "It's just shock value. It's not even funny." I disagree. There's different ways to be funny and to be a comedian.
The thing is, even if you're playing sort of a heightened character and playing inside sort of a heightened reality, you can still apply your own truths to those characters.
One of the tricky things about running a TV show is that you just never know how good the guest stars you cast on a weekly basis, how good they're going to be in the episode. Sometimes they surprise you in good ways and sometimes they surprise you in disappointing ways.
I play a lot of characters where I don't even speak in my own voice. I learned about focus and I learned to trust that things can work when they're not heightened and that it's interesting when things are pared down.
You can't fake comedy. You can't make it look beautiful or put an interesting bit of music on in the background: funny can only be funny if you're funny.
This site uses cookies to ensure you get the best experience. More info...
Got it!