A Quote by Ted Alexandro
I don't think comics necessarily think in literary terms. There is an element of developing your stage persona and your comedic voice, but I don't think comics see it like a character in a novel.
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I like collecting comics, I like buying comics, I like looking at comics, but I also read comics on digital readers, so any way people read comics is fine with me. Digital is just helping people who might not necessarily have access to comics help them; that's great.
People think I have an interest in comics, but I'm only interested in comics from the '40s, like 'Donald Duck' comics.
There are a lot of good comics, no doubt, but as far as the quality of the comics goes, I think what you have is a bunch of situational comics - there are black comics that work only black crowds, gay comics that do only gay crowds, and southern comics that only work down South, and so on with Asian, Latino, Indian, midgets, etc. The previous generation's comics were better because they had to make everybody laugh.
And then as I got older, see, I think a lot of times with comics, your life kind of permeates your act. Whatever is happening in your life is what's going on on stage. So if you're angry in your life, then that's going to be on stage. If you're looking for the guy that's just going to make you laugh for an hour and forget about, that's me.
I think comics in New York are interested in being comics. And there're comics in L.A. who are touring comics, who are certainly more interested in stand-up, but a lot of L.A. stand-ups are really looking to do something else.
Your stage persona is usually a version of yourself, to varying degrees. Some folks do a full-on character, so that's different. But most comics do some version of themselves.
In early comics, you see the amazing awkwardness and bizarre reasoning in the storyline, and it's because comics hadn't really been invented yet. There was no format for them to follow. They were just making it up. So I try to incorporate that kind of awkwardness in my comics quite frequently, which is odd. In some ways, I can't be as awkward as I'd like. But I do think that's one way in which my comics are unusual, because I will try to make the artwork look bad, occasionally.
There seems to be a peculiar kind of clamor for comics. And I'm not sure how much a part of reality that is. I think partly it's based on some idea that comics are what everybody wants to read - and I don't think that's the case.
Some of my earliest work was in comics. I tend to think in pictures and always like to write scenes possessing the dynamic you find in comics.
If you think how many female comics there are compared to how many male comics there are, I think there are quite a few female comics on the TV.
I like collecting comics, I like buying comics, I like looking at comics, but I also read comics on digital readers.
With comics, you can only really learn what you're doing wrong or what works best when you see your work published. I've been publishing comics since my 20s, and still, when I flip through any of my new comics, I still only see the things that I wish I'd done better. But that's how you learn, by seeing it.
I think when you look at the diversity of the readership, all the different people who love comics, I want comics to reflect the real world, and I think Marvel does a good job of trying to do that, but I don't think there's ever an end point when it comes to creating diversity and creating stories that people can relate to.
Show me one guy or woman as funny as Rodney Dangerfield or as good as George Carlin, Richard Pryor, Bill Cosby, or Joan Rivers. There are a lot of good comics out there, no doubt, but as far as the quality of the comics goes, I think what you have is a bunch of situational comics.
One thing I think is that comics are really good at expressing emotion. I think there's a way that comics characters can be drawn not-realistically, but the emotional reality is still very sincere. So you can have these exaggerations that express inner emotion through physical appearance.
Any platform that you use to tell stories helps you regardless of the medium regardless if they are bedtime stories that you tell your children or comics or film. Specifically what makes comics unique is that they are a storytelling device that forces you to think both visually and economically. Some might say you are limited by your imagination, but that is not true because someone has to draw it.
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