The one show that I will continue to be a guest on is 'The Daily Show' with Jon Stewart, if he'll have me. It's not competitive with CNN and it's too much fun.
'Waiting For Guffman' was different right away from 'Spinal Tap,' because we didn't show the interviewer. That person became invisible immediately. That created a different way of tuning it and ultimately editing it.
When I first was putting out music, I was like, 'I don't want to be overly sexy or do too much with the imaging or show too much skin, and I want to make sure my lyrics are balanced.'
I sang in 'Waiting for Guffman,' and I sang in 'A Mighty Wind.' I can carry a tune, but I don't like that Broadway singing.
It's so much better for me to do a talk show. You still have that energy of the audience, and the audience is just as important as that guest that's sitting next to me. It's not about me and that guest exchanging energy and talking. It's about everything that's going on in that room, and they're as much a part of the show as anything. I like this better than anything I've ever done.
I've always loved improvised movies like Christopher Guest and the 'Spinal Tap' era of comedy.
It may sound kind of brash but you really do have to treat it like just another job. It could be over tomorrow, and if you invest too much of yourself in, 'Hey I am the show and the show is me,' you'll get snapped hard.
When you make a TV show, they always say you're a guest in someone's home. Online, you're a guest in someone's face. So that's why I try to make it sound and look and feel very inviting and attractive, because I know that I'm in your face.
I think that's one of the biggest problems in rock is people thinking too much, putting too much emphasis on getting things perfect or completely sorted out. Sometimes that sound of not having everything sorted out is kind of cool.
I'm a comedic actor, not to mix words, but it's something I think about. A comedic actor. I like to think that Christopher Guest, Phil Hartman, Peter Sellers and Alec Guinness are comedic actors. And Dan Aykroyd, too. Those are my heroes.
If something takes too long, something happens to you. You become all and only the thing you want and nothing else, for you have paid too much for it, too much in wanting and too much in waiting and too much in getting.
Christopher Guest, he'll call and say, 'We're doing this movie, and I'd like you to play _' and he gives you the character, then I always like to enlarge on the character.
The Broadway audiences are very vocal and seem very engaged. For certain shows, especially with a show like 'The Heiress,' the audience's reactions sound like 'The Jerry Springer Show' sometimes. That seems to be a very New York thing. Oh, there's also the entrance round of applause here, which we don't get too much in London.
Comedy scares me a lot. I feel like it's way harder than drama. I think my safety net is definitely drama and I would love to kind of be able to be able to push into the comedy world and do something kind of like a Christopher Guest kind of style show. That, to me, is my kind of comedy. Like, Ricky Gervais comedy. That's my kind of thing.
Comedy scares me a lot. I feel like it's way harder than drama. I think my safety net is definitely drama, and I would love to kind of be able to be able to push into the comedy world and do something kind of like a Christopher Guest kind of style show. That, to me, is my kind of comedy. Like, Ricky Gervais comedy. That's my kind of thing.
With Christopher Guest films, we have a lot of say.