A Quote by Ted Danson

I feel very strongly that you can't just beat people up anymore; you have to work hand in hand and find ways to compromise, and get big business involved, because it won't happen otherwise.
I didn't worry about my career ending, but there were days where I felt pretty beat up by it all and just pretty tired, because they didn't make it easy for me. And coming right off the last lawsuit, it was the last thing I wanted to get involved in. When it was over, we didn't really celebrate, we were just exhausted. I lost all interest in the record business and never wanted to do anything except hand in a record again.
Work and play go hand in hand. A lot of people want to work, work, and work until 40, and then relax. Who says you'll get to 40? Or 50? Who knows what'll happen in the next five minutes? The only reality is the present. And if you can't learn to live in the moment, you'll never be content.
People that don't want to get down to the business at hand. Instead of just doing less, we have to find ways of doing more with less. That's the key to the future.
I've walked with very famous people down red carpets over to the crowd of thousands of people, and you'll reach out to shake their hand and they've got a camera in their hand. And they don't even get their hand out, because they're recording the whole time.
I'm not anymore because I haven't kept up with my certification, but I was a certified actor combatant in rapier, dagger, hand-to-hand, and quarterstaff.
I always messed around a little bit growing up, just shooting with my left hand, but now I'm actually getting real work in with my left hand. I think it's going to be a big help.
On one hand it's very flattering to be compared to a big success, and then sometimes it's very frustrating because you want people to see the movie that you're making and not be continually comparing it to something that it's not. So it goes both ways.
At first it was difficult for me to draw. My right hand doesn't work anymore so I had to train myself to use my left hand. But I persevered. The first one I ended up finishing was the duck.
It's from the heart. I don't really care if people see that I do it or notice that I do it or even recognize that it's me doing it. I just do it because I feel like there's a lot of people out there that need a hand, and I try to lend a hand.
It's about never giving up until your hand is on the wall. I think people who get complacent, who think that they are in front, a sloppy touch, can cost you that elusive medal, just as much as the people who are gunning for you. If you believe you can get there right to the very end, miracles do happen.
This hand is not very active always, because it was in this hand that I carried my books. My carrying hand was always my strongest. Now I think my other hand has developed more muscles from signing all those autographs.
It's supposed to feel totally foreign [to play in a series], every single time. But, going back for another go at it is good, on the one hand, but it's also bad, on another hand, because your ideas dry up sometimes, and also you get lazy sometimes because you're around the same people.
I'll start drinking tea over coffee when the big hand is on Never and the little hand is on Ain't Gonna Happen.
But steady-cams are very different than hand-helds, because hand-held gives you that verite feel.
It's a different thing to just be a voice. It's liberating, on one hand, because you get to show up in sweatpants and with Doritos on your fingers, but on the other hand, it's limiting because it's just your voice.
People can't be just tied together. They have to connect. Otherwise, they'll find themselves bound hand and foot.
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