A Quote by Ted Danson

My job playing Sam Malone was to let the audience in, to love my bar full of people. And that informed my life. — © Ted Danson
My job playing Sam Malone was to let the audience in, to love my bar full of people. And that informed my life.
My job playing Sam Malone was to let the audience in, to love my bar full of people. And that informed my life. I mean, we're so different [in the cast], some of us. Miles apart. [But] when I see anyone from those days, I tap into that instant love for them.
I think there are probably a handful of real character actors in this business. The rest of us are recycling. So now I'm Sam Malone the editor. I'm Sam Malone the billionaire.
It was one of the few places where someone remembered his name. Yeah, okay, so he felt like Sam Malone on Cheers, but there was no Norm or Cliff sitting at the bar here. More like Spike and Switchblade.’ (Wulf)
I feel like there's not this black-and-white division between concert hall music and music that bands play in a bar. I don't know if this was ever truly the case, but I don't feel that I need to decide between playing for a sit-down, totally silent audience and playing for a bunch of noisy, drunk people in a bar. What I do with the group is somewhere in between.
When you do 'Before Sunset,' you know while it's a limited audience, there was a very small group of people that love 'Before Sunrise.' You feel a certain pressure to make sure that you uphold a level of quality that has been a bar. You set a bar and you have to at least match it.
And Sam Vimes thought: Why is Young Sam's nursery full of farmyard animals anyway? Why are his books full of moo-cows and baa-lambs? He is growing up in the city. He will only see them on a plate! They go sizzle!
If this were all to go away tomorrow, all the big success, I would still be very happy going from bar to bar playing music for people.
I love, for example, 'Full Frontal with Sam Bee.' I just love her show.
What I love most about playing in front of people has something to do with a certain kind of energy exchange. The attention and appreciation of my audience feeds back into my playing. It really seems as if there is a true and equal give and take between performer and listener, making me aware of how much I depend on my audience. And since the audience is different every night, the music being played will differ too. Every space I performed in has its own magic and spirit.
I love the challenge of playing characters forced on life-changing emotional journeys. To work on a project with Billy Crudup and Sam Rockwell is just a dream come true.
The pressure isn't on my brain, but on my mouth. I realized Sam Malone said very little, he spoke in little sentences. Which is much more comfortable for me for some reason.
I don't photograph for other people. I love an audience, mind you. Once I've got them there, then I love an audience. Not a big audience, though. I'd rather please ten people I respect than ten million I don't. But I don't play to an audience, I do it for myself.
I just like playing music and doing it with people that I care about. It doesn't really matter where. It's like, 'Why don't we just play piano in a small bar? Why do we want to make an arena full of people happy?'
It is not the job of artists to give the audience what the audience want. If the audience knew what they needed, then they wouldn’t be the audience. They would be the artist. It is the job of artists to give the audience what they need
The American people should be informed about what kind of capability terrorists have inside the United States. They should be informed of why we are not using information to do a more effective job of dealing with terrorists.
My demon is hating to have to do a regular day job. Being up on stage really helps me forget I have a life like that - when I did have a life like that. I find complete contentment and happiness when I'm playing in front of an audience.
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