A Quote by Ted Dekker
Thrillers provide the reader with a safe escape into a dangerous world where the stakes are as high as can be imagined with unpredictable outcomes. It's a perfect genre in which to explore hard issues of good and evil, a mirror that allows the reader to see both the good and not so good in themselves.
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Good writing is good writing. In many ways, it’s the audience and their expectations that define a genre. A reader of literary fiction expects the writing to illuminate the human condition, some aspect of our world and our role in it. A reader of genre fiction likes that, too, as long as it doesn’t get in the way of the story.
In the story of the Creation we read: ". . . And behold, it was very good." But, in the passage where Moses reproves Israel, the verse says: "See, I have set before thee this day life and good, and death and evil." Where did the evil come from? Evil too is good. It is the lowest rung of perfect goodness. If you do good deeds, even evil will become good; but if you sin, evil will really become evil.
Corrupt fantasy points us, or forms us, in a consciousness that can lead to thinking that evil is good and good is evil. In the worst case, this may have long range effects, prompting the reader intuitively, subconsciously, to do evil while thinking they're doing good.
Curiously enough, one cannot read a book; one can only reread it. A good reader, a major reader, and active and creative reader is a rereader.
When anything is in the presence of evil, but is not as yet evil, the presence of good arouses the desire of good in that thing; but the presence of evil, which makes a thing evil, takes away the desire and friendship of the good; for that which was once both good and evil has now become evil only, and the good has no friendship with evil.
If history records good things about good people, the thoughtful hearer is encouraged to imitate what is good; or if it records the evil of wicked people, the godly listener or reader is encouraged to avoid all that is sinful and bad, and to do what he knows to be good and pleasing to God.
Tis the good reader that makes the good book; in every book he finds passages which seem confidences or asides hidden from all else and unmistakenly meant for his ear; the profit of books is according to the sensibility of the reader; the profoundest thought or passion sleeps as in a mine, until it is discovered by an equal mind and heart.
It isn’t hard to find evil in this world. Evil is always more easily imagined than good, somehow.
The book is finished by the reader. A good novel should invite the reader in and let the reader participate in the creative experience and bring their own life experiences to it, interpret with their own individual life experiences. Every reader gets something different from a book and every reader, in a sense, completes it in a different way.
A good reader or viewer is a person who is alert about her newspaper or news channel. A good reader or viewer will never waste her hard-earned money in watching or reading just anything. She is serious. She will have to think if the news she is consuming is journalism or sycophancy.
This is a world of good and evil. Wherever there is good, evil follows, but beyond and behind all these manifestations, all these contradictions, the Vedanta finds out that Unity. It says, "Give up what is evil and give up what is good." What remains then? Behind good and evil stands something which is yours, the real you, beyond every evil, and beyond every good too, and it is that which is manifesting itself as good and bad. Know that first, and then and then alone you will be a true optimist, and not before; for then you will be able to control everything.
Evil is easily discovered; there is an infinite variety; good is almost unique. But some kinds of evil are almost as difficult to discover as that which we call good; and often particular evil of this class passes for good. It needs even a certain greatness of soul to attain to this, as to that which is good.
The future depicted in a good SF story ought to be in fact possible, or at least plausible. That means that the writer should be able to convince the reader (and himself) that the wonders he is describing really can come true... and that gets tricky when you take a good, hard look at the world around you.
I'm not a good reader. I had to take remedial reading in school. I was a slow reader and therefore it's tough for me to stay interested in things long enough, I've read, probably, since college maybe 10 books, which is disgusting.
You have to be an extremely good reader to appreciate what a good writer is. There are some people who are completely insensitive to good writing.
Tis the good reader that makes the good book; a good head cannot read amiss: in every book he finds passages which seem confidences or asides hidden from all else and unmistakeably meant for his ear.
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